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postheadericon Watch The Simpsons – The Complete Eighth Season Movie Online

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Movie Title: The Simpsons – The Complete Eighth Season
Average customer review: star45 tpng Watch The Simpsons   The Complete Eighth Season Movie Online

The Simpsons – The Complete Eighth Season is available for streaming or downloading.

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Season 8 may be the last above average season of The Simpsons. It would not be long after this season when I stopped enjoying The Simpsons as distinguished. Their fable lines became increasingly over-the-top and the shows were often to intent on focusing on the celebrity of the week. This season starts to go in that direction with some way-out episodes, but is not quite there yet. Season 7 is my celebrated but Season 8 has many gems including “The Homer They Plunge,” “Burns, Baby Burns,” “Lisa’s Date with Density,” “Hurricane Neddy,” “Homer Vs. The Eighteenth Amendment,” and “In Marge We Trust.”

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“Treehouse of Anxiety VII”: (a) The Thing and I: Bart finds out he has an wrong Siamese brother Hugo; (b) The Genesis Tub: Lisa conducts experiments with her fallen baby tooth and creates a mini society. When she is zapped into microscopic size, she warns the exiguous society against the “Murky One” (Bart) ; (c) Kang and Kodos approach to earth posed as Bob Dole and Bill Clinton. Of course, with the two-party system, one of them has to salvage.

“You Only Go Twice”: Homer begins working for Hank Scorpio who is a superb and fun boss despite his plans for global terrorism and extortion.

“The Homer They Plunge”: Homer becomes a boxer with Moe as his manager. All goes well until he has to fight Drederick Tatum. Big Mike Tyson and Don King characters.

“Burn, Baby Burns”: Mr. Burns finds out he has a long-lost son (voiced by Rodney Dangerfield) who becomes bosom buds with Homer. Like the line: “This location is emptier than a Scottish pay toilet.”

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“Bart After Unlit”: After Bart damages property at an spooky venerable house, Homer forces Bart to work at the house which turns out to be a burlesque house.

“A Milhouse Divided”: Milhouse’s parents catch divorced and his dad decides to becomes a [bad] singer.

“Lisa’s Date with Density”: Lisa develops a crush on bully Nelson Muntz and thinks she can change him. I esteem the scene where Nelson throws a rock at a window and tries to stammer Lisa the cops are chasing him and he needs a hideout only to have Homer commence the window to boom him Lisa’s room is the next window over. I also treasure the auto-dialer sub-story.

“Hurricane Neddy”: One of my all-time favorites. Ned Flanders’s house is the only one destroyed in a hurricane and he begins to put a question to his faith. In a flashback, we salvage out how he started saying doodily, diddily, as a why to fill in rage.

“The Mysterious Voyage of Homer”: This is a exclusive one. Homer eats a abominable pepper at a chili cook-off and hallucinates about a coyote who urges Homer to bag his soul mate.

“The Springfield Files:” X-Files take-off.

“The Crooked World of Marge Simpson”: After being booted out of the Investorettes club for being too conservative, Marge buys a pretzel franchise but keeps hitting stumbling blocks to success. Homer decides to recruit the services of Chunky Tony.

“Mountain of Madness”: This one is also a runt unusual. During a survival retreat for the nuclear power plant, Mr. Burns and Homer are snowed-into a cabin and eventually initiate hallucinating.

“Simpsoncalifragilisticexpiala(“doh!”) cious”: The Simpsons need a nanny and hire Mary Pop..,uh,…Shary Bobbins.

“The Itchy and Scratchy and Poochie Demonstrate”: Homer becomes the say of a fresh cartoon character who doesn’t go over very well.

“Homer’s Phobia”: Homer meets a amusing guy who runs a collectible shop “Cockamamies” (gotta cherish that name) named John and is insecure when he discovers John, uh, prefers the company of men. Worst of all, Homer thinks John is influencing Bart.

“Brother From Another Series”: (Gargantuan title) . Sideshow Bob is released from prison and joins forces with his brother Cecil (voiced by David Hyde Pierce, of course, Sideshow Bob is voiced by Kelsey Grammer–get the title? ) . Could Bob actually be the righteous guy in this episode???

“My Sister, My Sitter”: Lisa becomes Bart’s baby sitter and Lisa is scared she’s killed her brother after knocking him down the stairs. This one is a slight over-the-top.

“Homer Vs. The Eighteenth Amendment”: One of my all-time favorites! Prohibition starts up again in Springfield and Homer assists Moe in creating a speakeasy. Can Homer out-fox Rex Banner?

“Grade School Confidential”: Vital Skinner and Mrs. Krabappel commence a romance and perform controversy at Springfield Elementary. The Skinner is a virgin thing was a small considerable.

“The Canine Mutiny”: Bart gets possess of a untrue credit card and buys all kinds of stuff including a pedigree collie, Laddie. When repo-men advance to gather the stuff, Bart gives them Santa’s Dinky Helper instead of Laddie and soon regrets the decision.

“The Ragged Man and the Lisa”: Mr. Burns, who’s recently lost his fortune, joins forces with Lisa to accomplish a recycling plant. Of course, Mr. Burns could never turn this plant into an noxious operation…yeah, just! I care for Moe’s line about the “Puny Lisa” logo: “Ah, isn’t that cute. It makes Microscopic Debbie inspect like a pile of puke.”

“In Marge We Trust”: Marge becomes the “Listen Lady” and burned-out Mr. Lovejoy is stunned she has become more celebrated than him with his flock.

“Homer’s Enemy”: Frank Grimes is the original employee at the nuclear power plant and, unlike everyone else, he doesn’t win Homer’s incompetence. A very shaded episode.

“The Simpsons Spin-off Showcase”: A 1970s-style variety exhibit take-off of The Brady Bunch. Fair as Jan refused to participate, Lisa is replaced by an actress who looks unbiased like her…yeah, moral!

“The Secret War of Lisa Simpson”: Bart is forced to enlist in military school and, impressed by the discipline which seems peculiar since Lisa is such a free thinker that one would not reflect she’d be attracted to the unquestioning soldier’s life, she decides to join, too. And all the boys gather her…uh, no.

I looked forward to buying the next released season of The Simpsons on DVD every year, however, getting season eight this year is going to be a bittersweet occasion. Of course, I add yet another solid gold season of The Simpsons to my collection, but this in turn will result in the waste of my Simpsons collection. Yes, like many other reviewers of this DVD situation on Amazon, I part the same sentiment that this is the last season worth buying. From season 9 and onward, the reveal grew progressively worse in the long hurry, and lost what made it worth watching in the first station.

Basically, this is the last season of The Simpsons that retained its witty sense of humor, and didn’t resort to exclusive storylines and throwing in celebrity guest stars week after week. Episodes like “You Only Recede Twice” (I savor the 007 scene), “A Milhouse Divided”, “The Crooked World Of Marge Simpson”, Simpsoncalifragilisticexpiala(ANNOYED Verbalize) cious”, “The Itchy & Scratchy & Poochie Reveal”, “Homer’s Phobia”, and the classic “Homer’s Enemy” exudes the shows last ounces of genius from script to cloak. The storylines of these episodes are delectable, and appealing from commence to accomplish. The witty humor of the past seasons is well retained in season eight with many side splitting moments of hillarity to note it. In addition, season eight showcases further development of approved characters, as well as the introduction of unforgettable original favorites like Frank Grimes and Poochie.

Truly, Season 8 is indeed the waste of an era of what was the most brilliantly inventive series on television. Fortunately, it will live infinitely on DVD to be respected and enjoyed by core fans and casual viewers alike.
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postheadericon Streaming Christmas in Connecticut Online

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Movie Title: Christmas in Connecticut
Average customer review: star45 tpng Streaming Christmas in Connecticut Online

Christmas in Connecticut is available for streaming or downloading.

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“Christmas In Connecticut” is my all-time favourite Christmas movie with objective the just combination of humour, sentiment, resplendent settings, and terrific performers. I play this film every year during the week leading up to Christmas and the season would not be complete with its incredible presence in my home.

Being a broad Barbara Stanwyck fan I would have loved this film anyway however in “Christmas In Connecticut” Barbara has never been more winning than as Elizabeth Lane, the know it all columnist for “Shimmering Housekeeping” magazine in Fresh York who always, (in her reader’s minds at least) can wip up the most splendid culinary masterpieces for any occasion. Barbara was always a very unbiased actress and brought conviction and feeling to any role she tackled whether it be a devoted mother or a murderess. Here the focus is on comedy as the film tells the very droll epic of how after winning country wide fame as the icon of “Shimmering Housekeeping” her deception starts to unravel as the Christmas season approaches when her publisher Alexander Yardley (a helpful Sydney Greenstreet) decides he wants to boost circulation by keen a returning war worn to expend Christmas with Elizabeth and her family on her fine farm in Connecticut. The only quandary here is that Elizabeth has made up everything about her supposedly ideal life, from having a husband, a child, owning a farm in the country and worst of all even being able to cook! What follows is a highly funny epic as Elizabeth tries to avoid having her deception uncovered. Yardley with more dollars flashing in his eyes however is not easily save off and demands that the war weak Jefferson Jones (Dennis Morgan) section in an ideal American Christmas on the farm with Elizabeth and her “family”. To execute matters worse rather than be alone for the holidays he also invites himself along to experience this ideal Christmas with all the trimmings which creates alarm for Elizabeth in that she knows Yardley will only except “total honesty” from all his staff, and thus she is in disaster of also losing her job because of her deception. Complication piles on complication for Elizabeth as wealthy suitor John Sloan “lends” her his farm and “borrows” a local factory workers child to accomplish up the family she needs and also recruits Felix Bassenak a gourmet chef from the local restaurant to play “Uncle Felix’. He is instructed to “relieve” Elizabeth with the cooking because of course as Elizabeth tells Yardley “she taught him everything he knows!!”

“Christmas In Connecicut” is blessed with a unbelievable cast that support bring this comic legend to life. Sydney Greenstreet has never been better than in the role of the bombasic Yardley and his reactions to Stanwyck’s attempts to flip his pancakes “objective as she writes so lovingly about in Incandescent Housekeeping” are a delight. Dennis Morgan provides the splendid esteem interest in the yarn and he is fair that lawful combination of goodlooks and simple sincerity as the returning war old. The memorable S.Z. Sakall, a aged of so many amusing performances in countless films literally steals the expose as the furious “Uncle Felix”. His reactions of anxiety at being found out in the ruse are hilarious. His facial expressions alone are worth watching the film for. Reginald Gardiner has the thankless role of the uninteresting architect John Sloan who is in worship with Elizabeth and offers to go along with the myth if Elizabeth will promise to marry him. He nevertheless does do something of his character despite being up against the more colourful characters played by Greenstreet and Sakall.

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“Christmas In Connecticut” is a savory romantic comedy from beginning to extinguish and benefits not only from worthy writing but friendly if unspectacular direction from Peter Godfrey who collaborated with Barbara Stanwyck on two other bewitching efforts in “Shout Wolf” and “The Two Mrs. Carrolls”. The settings of the film are impartial true for the Christmas feel whether it be Barbara’s slight icy water apartment with snow on the balcony or the comely country estate with its huge commence fire, magnificent Christmas tree, Novel England furniture and stout windows with views of snow covered fields. Unprejudiced the setting I’ve always imagined for an ideal feeble fashioned Christmas!.

I cannot recommend “Christmas In Connecticut” highly enough for the festive season. It’s a simple, faded fashioned anecdote filled with sterling cheer, a warm cosy feel and the ultimate message of caring for other people. As a fantastic holiday treat get obvious you win “Christmas In Connecticut” in your Christmas Stocking. Savor!.

From the perspective of the hectic, contemporary world in which we live, the so called “estimable passe days” always seen so mighty more calm and innocent; an idyllic era gone by of which we have only memories and shadows that linger on the silver mask, as with “Christmas In Connecticut,” a warm and endearing film directed by Peter Godfrey. Barbara Stanwyck stars as Elizabeth Lane, a common “Martha Stewart” type magazine columnist who writes about life on her beloved farm in Connecticut, always with the latest recipe at the center of the legend. One of her biggest fans is Alexander Yardley, played by Sidney Greenstreet, the publisher of the magazine for which she writes. Yardley has never visited her farm, and in response to an plan expressed to him in a letter from a nurse, Mary (Joyce Compton), he decides to employ an mature fashioned Christmas with Elizabeth, her husband and child and, as a special guest, a distinct Mr. Jefferson Jones (Dennis Morgan), a sailor fair recovered from spending fifteen days at sea on a raft after his ship was torpedoed. Elizabeth of course cannot refuse her boss, but there are problems; not the least of which is the fact that she has no farm and writes her column from the comfort of a high-rise in the city. It makes for a precarious region for her as well as her editor, Dudley Beecham (Robert shayne), as the one thing Mr. Yardley demands from his employees is total honesty. What follows is a charming and delightfully romantic comedy that transports the audience benefit to a seemingly more simple time and status, to portion a Christmas Past where a warm hearth, respectable food and kindness prevail. Barbara Stanwyck absolutely sparkles as Elizabeth, with a smile and presence warmer than anything the grandest hearth could provide, and totally convincing as a city girl entirely out of her element on the farm. Morgan also fares well as the somewhat naive sailor, whose trust in his fellow man is admirable. Even with the deceptions being played out around him, he’s the kind of guy you know will somehow land on his feet, and in the ruin it’s Elizabeth you really feel for. One of the upright delights of this film, however, is Sidney Greenstreet. His Yardley has a gruff exterior, but beneath you know without a doubt that this is a man with a heart as stout as Texas. It’s a straightforward, unbiased portrayal, and it’s a joy to glance him work; the most memorable scenes in the movie belong to him, especially one he shares in the kitchen with Felix (the enjoyable S.Z. Sakall), the chef, and another during the denouement with Stanwyck that will manufacture you laugh out loud. The supporting cast includes Reginald Gardiner (John Sloan), the terrific Una O’Connor (Norah), Frank Jenks (Sinkewicz) and Dick Elliott (Mediate Crothers) . A feel-good movie that plays especially well during the Christmas Season (though it would work any time of the year), “Christmas In Connecticut” is a memorable film that never takes itself too seriously, is thoroughly uplifting and will leave you with a warm space in your heart and a sense of peace that makes the world seem like a righteous space to be. It’s a moral classic, and one you do not want to miss.
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postheadericon Croupier Movie Streaming

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Movie Title: Croupier
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This hard boiled British film noir about a croupier in a London casino is destined to become a classic. With his slicked-back dim hair and striking top-notch looks, Clive Owen brings a frosty, cynical, self-confident elegance to his role as Jack Manfred, a croupier (dealer) in a London casino. He’s writing a new and has been recommended to the job by his father, a South African gambler, who has raised Jack to know all the tricks of the trade. Jack has nothing but contempt for the gamblers who reach to the casino to lose each night and expresses his hatred for cheaters. He, himself, takes pride in the fact that he never gambles, but as the space moves forward, the audience watches him rationalize his fill actions in regard to his relationships which pull him deeper and deeper into his have kind of gamble.

Three women play key roles in his life. There is his live-in girlfriend (Gina McKee) who works as a store detective. There is a fellow dealer (Kate Hardie an ex-prostitute and druggie. And, most importantly, there is Alex Kingston (the actress who plays Dr. Corday on ER) in the role as the femme fatale. There is intrigue, mystery, action, a substantial spot and — most of all — a incredible character scrutinize as Jack starts to study himself as a character in his gain current and shares his acquire internal monologue through the discrete and effective employ of voiceovers. Yes. As in other films of this type there are a few details of the site that are never fully explained. And some of the British dialogue was a minute too hasty for my American ears. But the casino scenes sparkled, romantic scenes eluded sexual chemistry, and somehow I found myself identifying with Jack and all the workings of his mind. And, like other films in this genre, nothing is quite what it seems. Highly recommended.

I’ve been looking for a commerically available Site 1 version of Croupier for quite some time now. I was so enraged to glimpse that its being re-released that I had to check other sources to design obvious its not a glitch. But, yes indeed, Croupier is scheduled to be re-released March 9, 2004!

As for the film itself, this film introduced Americans to Clive Owen. It opened the doors for Clive’s modern film roles in the BMW Films “The Hire,” “Gosford Park,” “Bourne Identity,” “Beyond Borders” and upcoming starring role in “King Authur” (not to mention the James Bond rumors. I’ve also heard proper things about the Brit TV miniseries “Second Peep.”) Don’t inquire a Hollywood thriller here. This novel update of the film noir genre is shot to construct disconnect and confusion, and the characters are gritty and flawed. The film centers around Jack Manfred, a struggling-writer-turned-card-dealer. Jack moves through his life like a ghost, calm and disinterested in the events of his enjoy life. Alex Kingston’s character Jani de Villiers enters his life and adds color to Jack’s shaded world. Jani is the femme fatale to Jack’s postmodern hard-boiled hero, but I treasure that Jack and Jani’s relationship does not do in the contrivance you would request. Overall, an savory film for indie film lovers and a must for Clive Owen fans.
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postheadericon Watch Beyond the Gates Movie Online

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Movie Title: Beyond the Gates
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this movie should be required viewing for any american who forgets how lucky we all are. the acting is astounding and many scenes in the film are unforgetable. be warned that there are many disturbing images in the film. these aren’t gratuitous as they paint the perfect portray of the madness in rwanda in 1994. one of the best films i have seen in a long time.

To reply the fact that genocides are tranquil active in our supposedly enlightened times is gruesome, yet through films such as BEYOND THE GATES, HOTEL RWANDA, and SOMETIMES IN APRIL we are gradually bring informed about one particular genocide – that occurred in 1994 in Rwanda – and hopefully will accomplish us as a global population more proactive in stemming the possibility of further acts of brutality and disregard of humanity. Writer David Wolstencroft and director Michael Caton-Jones have created one of the most powerfully poignant films about the genocide of the Tsutsi people by the Hutu people and by placing the film exactly where the genocide happened have added an intensely compelling atmosphere to an act that never should have happened.

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In 1994, at the Ecole Technique Officielle, a school for the Rwandan children hasten by Europeans under the tutelage of Father Christopher (John Harm) and with idealistic teachers such as the young Joe (Hugh Dancy), the incipient intertribal rioting between the Hutus and Tsutsis is ‘monitored by the impotent United Nations led by Capitaine Delon (Dominique Horwitz) . After the modern leader of Rwanda is shot down in a helicopter tragedy, the Hutus inaugurate killing the Tsutsi, butchering them with machetes and leaving the bodies to rot in the streets. The Tsutsis flock to the Ecole, looking for asylum and protection, and Father Christopher and Joe do everything in their power to provide food and shelter and safety. One particularly gifted student Marie (Claire-Hope Ashitey) works closely with the two men, gaining their admiration and like, and representing the desperate need of the Tsutsis. The UN forces refuse to fire on the invading Hutus and finally evacuate all white Europeans to be dart to safety out of Africa. It is this final abandonment of the Tsutsis that underlies the ensuing slaughter of those who sought succor within the Ecole walls. And with showing the decimated Tsutsis the film ends with a few follow-up scenes that are deeply touching and immensely disturbing. It is determined that the film reveals how the world ignored the tragic genocide of 1994 and a more poignant statement has rarely been captured in writing, filming, direction, and acting.

John Distress and Hugh Dancy are lustrous in their roles, but it is the performance of young Claire-Hope Ashitey that rivets our attention: she is a wonder of an actress and deserves awards for her intensely realistic performance. The film’s epic is already known (hopefully) so there can be no spoilers here. And therein lies the agonizing reality that the world stood by and let this happen. Every world citizen should be required to study this much film in hopes that such atrocities will be prevented in the future. But then there is now Darfur….. Grady Harp, September 07

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postheadericon Watch The Straight Story Movie Online

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Movie Title: The Straight Story
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It’s a swagger of the soul as a man goes home in his heart, in this dramatization of the proper anecdote of Alvin Straight, who drove a lawn mower over three-hundred miles through the site of Iowa and into Wisconsin, to witness his brother, a stroke victim with whom he had not spoken for ten years. “The Straight Memoir,” directed by David Lynch, recounts the memoir of Alvin (Richard Farnsworth), who position out to witness his brother, Lyle (Harry Dean Stanton), upon hearing of his stroke. Alvin is prevented from driving because of awful eyesight, and he won’t hold a bus because he doesn’t trust another’s driving. A widower who lives with his daughter, Rose (Sissy Spacek), Alvin, not a man of means, resorts to the only procedure he knows how, to obtain to Lyle. He needs to establish the dreadful blood late them before it’s too late; an estrangement born of “nettle and pride.” Hauling a make-shift trailer, and with three five-gallon cans of gas and a cooler tubby of hot dogs, Alvin sets out, alone and positive, on his lawn mower. Now in the twilight of his life, having learned to “separate the wheat from the chaff,” the jog affords Alvin plenty of time to consider on his life, and steels him in his quest to do what he feels he has to do. Along the blueprint he befriends and is befriended by the strangers he encounters; a testimony to the bountifulness of the human spirit. When a young man asks him what the worst thing is about being used, he replies, “Remembering when you were young.” Richard Farnsworth gives the performance of a lifetime as Alvin, this stubborn, prideful man, who has learned humility with age, and you can peruse the wisdom of his years in his eyes. Farnsworth connects with the audience from the beginning, aptly conveying the yearning of a soul in need of atonement, and the determination of the man to achieve his amends. Sissy Spacek, also, gives a terrifically nuanced performance as Rose, the “plain” daughter who lives daily with demons of her contain. That the members of the Academy failed to nominate her for best-supporting actress for her work here is nothing short of criminal; her Rose is a handsome portion of work. David Lynch, as well, has done a much job of bringing Alvin’s fable to the veil. He has woven a rich visual and emotional tapestry, all poignantly delivered with a gentle hand. Beautifully photographed, the lush vistas of the Midwest consider Alvin’s location of mind, underscoring the deeper meanings of what is really a spiritual stride, during which the past mingles with the explain. Lynch has taken a wistful, almost poetic arrive throughout, which, together with the account is reminiscent of Ingmar Bergman’s “Wild Strawberries.” The scene in which Alvin finally meets up with Lyle is perfectly and touchingly executed, and is one of the most memorable scenes in the movie. The supporting cast includes James Cada (Danny), Everett McGill (Tom), Barbara E. Robertson (Deer Woman), John Farley (Thorvald), and Kevin P. Farley (Harold) . With an artistic hand, Lynch has crafted an unforgettable film. “The Straight Sage” is Alvin’s sage, but the race belongs to us; a reminder of what is really essential in life, and the needs we all portion at one time or another. It’s an spirited movie that will touch you and effect you believe, as well; and as far as I’m concerned, that’s about as great as it gets.

With ‘The Straight Story’ David Lynch has weaved together a subtle, exciting memoir about age, regret, and family. The legend is of Alvin Straight, a 73 year aged man who has seen most of what life has to dish out and learns that his brother suffered a stroke. With awful eyes and no license, he sets out on a prance on a riding lawnmower to examine his brother, who he hasn’t spoken to in ten years.

What I loved most about this movie is the simplicity; of the tale, the characters, the filming. Yet within that classic style is a movie that is incredibly captivating. The stories that Alvin has to assure about his life are saddening, touching, and almost repulsive. He talks about being dilapidated, about fighting in World War II, and about his regrets of not speaking to his brother. He runs into quite a few people along the plot who encourage him out, and their stories contribute to a beautifully crafted script.

Richard Farnsworth is convincing in the role of Alvin. His abilities are most especially outlined in the black tone of his mutter, and the spy of regret and hope in his eyes. It is rare that I have grown to respect and admire a character so mighty. David Lynch’s direction is not black or creepy like his other works, but carefully and nicely photographed in grand harmony with the script. The cinematography is smoothe, and the extended takes exhibit his abilities as a director and the actors abilities as well.

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This film is done in a classic manner, and the results are bewitching in a rare diagram. I sincerely hopes this film eventually gets the recognition it deserves.
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postheadericon Watch 4 by Agnès Varda Online

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Movie Title: 4 by Agnès Varda
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French film director Agnès Varda is known for her experimental style in film, photography and art, and for her exploration of feminist and social issues in her films. She has been called a “cinematic poet” and a “visionary.” The four films included in this collection include:

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1. La Pointe Courte

In her first film (considered one of the progenitors of French Recent Wave), La Pointe Courte (1956), Varda explores the disintegration of a relationship between a married couple (Silvia Monfort and Philippe Noiret) . The Criterion edition of a Pointe Courte includes a newly restored high-definition digital transfer, a recent video interview with director Agnès Varda, excerpts from a 1964 episode of the French television series Cinéastes de notre temps, in which Varda discusses her early career, and fresh and improved English subtitle translation.

2. Cléo de 5 à 7. (Cléo from 5 to 7) .

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In Cléo from 5 to 7 (1962), Varda confronts themes of existentialism, mortality, despair, and what it means to live a meaningful life. Her film follows two hours (in real-time) in the life of a young pop singer (Corinne Marchand) as she waits to gather biopsy results from her doctor at 7 o’clock. Before her doctor’s appointment, Cléo meets with several friends and strangers in 1960s Paris, while at the same time contemplating her mortality. The film features a gather by Michel Legrand (The Umbrellas of Cherbourg) and cameos appearances by Jean-Luc Godard and Anna Karina. The Criterion edition of this film features a newly restored digital transfer, supervised and common by director Agnès Varda, “Remembrances” (2005), a documentary on the making of the film, featuring interviews with Varda and actors Corinne Marchand and Antoine Bourseiller, a gallery of paintings by Hans Baldung Grien, whose work inspired the character of Cléo, an excerpt from a 1993 French television program featuring Madonna and Varda talking about the film, “Cléo’s Accurate Path Through Paris” (2005), a short film retracing, on a motorcycle, Cléo’s steps through Paris, “Les fiancés du pont Macdonald” (1961), a short film directed by Varda, featuring some of her original wave colleagues, with Varda explaining why the film was featured in Cléo, “L’opéra Mouffe” (1958), an early short by Varda, with a win by Georges Delerue, the theatrical trailer, fresh and improved English subtitle translation, and a current essay by Adrian Martin and a written introduction by Agnès Varda.

3. Le bonheur (Happiness) .

In Le bonheur (1965), Varda confronts issues of fidelity and happiness in a novel, self-centered world. The film tells the myth of a young husband François (Jean-Claude Drouot) who embarks on an affair with an graceful postal worker, despite the fact that he is married to the pleasing Thérèse (Claire Drouot) . The Criterion edition of this film features a newly restored high-definition digital transfer, supervised and common by director Agnès Varda, “The Two Women of ‘Le bonheur’” (2006), a short portion featuring actors Claire Drouot and Marie-France Boyer, thoughts on “Le bonheur” (2006), a discussion between four scholars and intellectuals discussing the conception of happiness and its relation to the film, two short pieces by Varda investigating people’s view of happiness, “Jean-Claude Drouot Returns” (2006), a featurette in which the actor revisits the film’s setting forty years later, a segment from the 1964 television program Démons et merveilles du cinéma, featuring footage of Varda shooting Le bonheur, an interview with Varda from 1998 about Le bonheur, “Du Côté de la côte” (1958), a short film by Varda exploring the tourist destination of the Côte d’Azur, the theatrical trailer, and unusual and improved English subtitle translation.

4. Sans toit ni loi (Vagabond)

In the best film in the collection, Vagabond (1985), Varda chronicles the life of a young, enigmatic drifter Mona (Sandrine Bonnaire), found frozen to death in a ditch at the beginning of the film. From this image, the film goes backwards in time to depict Mona’s transition from an office worker to her life of a wandering vagabond, free from any responsibility. The unique French title, “Sans toit ni loi,” translates as “without roof or law.” The Criterion edition of Vagabond includes a newly restored high-definition digital transfer, supervised and popular by director Agnes Varda, “Remembrances” (2003), a documentary on the making of the film, including interviews with Sandrine Bonnaire and other cast members, “The Legend of an Ragged Lady” (2003), a short portion in which Varda revisits actress Marthe Jarnias, who plays the used aunt in the film, “Music and Dolly Shots,” (2003), a conversation between Varda and composer Joanna Bruzdowicz, a 1986 radio interview with Varda and writer Nathalie Sarraute, who inspired the film, the theatrical trailer, novel and improved English subtitle translation, and a current essay by Chris Darke and written introduction by Agnes Varda.

G. Merritt

This 4 disc box region by Criterion contains four movies by Agnès Varda.

La Pointe Courte, Cleo from 5 to 7, Le bonheur, and Vagabond. Cléo from 5 to 7 and vagabond are releleases and I have already written reviews for those when they were released separately, I will be more brief on the reviews.

La Pointe Courte is Varda’s first film and is about a couple in coastal southern France experiencing marital woes. The film is notion to have inspired the unusual wave movement in French cinema and is one of her most well-liked films. The special features are an interview with Agnès Varda and scenes from a 1964 French television appearance by Varda.

Cléo from 5 to 7 is about a young woman who strolls around Paris for two hours while she awaits the results of a biopsy. The film was map ahead of its time for it being in real-time impartial like the television series 24 or the film “Phone Booth.”

The special features are a theatrical trailer, a 2005 documentary on the film’s production titled “Remembrances” It focuses on continuity isues for the real-time sequence fo the film including the clocks which are seen various times in the film, a glide note of Hans Baldung paintings which inspired the title character of the film, a 1993 television special featuring Agnès Varda and Madonna, a short retracing Cléo’s trudge through Paris on motorcycle, the 1961 short by Varda titled “Les fiancés du pont Macdonald” which was featured in the film, and Varda’s short film “L’opéra Mouffe”.

Le bonheur (French for “Happiness”) is about a young couple with two children. The wife travels often and while she is away her husband has an affair with a postal clerk.

The special features are a theatrical trailer, a view at the two main actresses in the film, a talk between four film scholars about the film, two short films where Varda asks random people their definition of happiness, a retrospective on the film featuring lead actor Jean-Claude Drouot, scenes from an archival television program featuring Varda shooting the film, a 1988 interview with Varda, and a documentary by Varda about the Côte d’Azur.

Vagabond released in France as “Sans toit ni loi” is about a homeless woman who is found stupid at the beginning of the film and is a flashback discover at the last days of her life.

The special features are a theatrical trailer, a docomentary on the film’s production, a survey at the actress Marthe Jarnias, who plays the feeble lady in the film, a conversation between Varda and the film’s composer, Joanna Bruzdowicz, and a 1986 radio interview with Varda and writer, Nathalie Sarraute.

This is a astronomical release and the films are all estimable.
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postheadericon Watch Maria Full of Grace Online

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Movie Title: Maria Full of Grace
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In this week’s “Entertainment Weekly” Stephen King picked “Maria Burly of Grace” as his accepted film of 2004, which is certainly an enchanting thing to know before watching this independent film from writer-director Joshua Marston. The narrate on the DVD screen shows Maria Alvarez (Catalina Sandino Moreno) posed as if she were about to receive Holy Communion. Only instead of receiving the host Maria is about to swallow a pellet containing heroin wrapped in the finger of a latex glove. That particular image is not show in the film with as mighty symbolism as it is on the conceal, but it does record the crucible of Maria’s odyssey.

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Maria is 17 and works in Colombia picking the thorns off of roses before they are shipped overseas. Although she is clearly a smart girl, Maria discovers that she is pregnant. To originate things worse her boyfriend is a loser, her boss at work is a jerk, and her family needs her to provide money. So after Maria quits her job she is introduced to a man in Bogotá who will give her $5,000 for flying to Modern York City with 62 of those pellets in her stomach as a “mule” for a drug lord. For Maria that amount is a virtual fortune and seems worth the risk that one of those pellets could wreck in her stomach and end her. So she practices swallow grapes so that she will be able to do what needs to be done to pick up her money.

There will be several mules on this particular flight, a practice known as “shotgunning” that Marston learned about and which inspired his fresh script. The understanding is that if you effect several mules on the same plane and understanding on U.S. Customs catching one of them, which would do it easier for the rest of the drugs to acquire through. Also on the plane with Maria are her friend, Blanca (Yenny Paola Vega), who is jealous of the money her friend is going to beget, a mule on her third hurry, Lucy (Giulied Lopez), who wants to visit her sister in Unique York City, and at least one more experience drug smuggler.

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“Maria Fat of Grace” sets the stage for the great high-tail by paying attention to the process by which Maria first practices, and then swallows all those pellets. This serves to underscore how uncertain this is going to be and you know that something is going to go horribly unpleasant. It is unprejudiced a request of how many of these girls will be expressionless by the time it is all over and what exactly Maria will do to acquire the sobriquet of the title. Marston does touch on all of the mules on the plane, but the focus of the anecdote is on Moreno and her compelling performance. Clearly Marston is out to execute a point, but because this is a low-budget independent film he is forced to sigh it simply. Ironically, his leading actress is so superior that we are concerned more with her survival than any stinging indictment of the exercise of mules by Colombian drug cartels.

Catalina Sandino Moreno won the best actress award a the 2004 Berlin Film Festival along with Charlize Theron in “Monster,” which is inviting simply because the performances are splendid great at opposite ends of the acting spectrum. Since “Maria Chunky of Grace” premiered at the Sundance Film Festival on January 18, 2004, where it won the Audience Award, Moreno’s performance would be eligible for the next Academy Awards. Usually Oscar nominations focus on movies released in December and as a rule ignore anything released before the Summer blockbuster season, but what Moreno did in this film might be too impressive to forget (Addendum: For once I was just and Moreno is nominated for Best Actress) .

Maria Tubby of Grace is a entertaining and noteworthy motion represent about a girl who goes in over her head when she longs for a better life. We follow Maria (Catalina Sandino Moreno) from her expressionless ruin job stripping roses in Colombia to a fresh opportunity–becoming a “mule,” by ingesting drugs in immense capsules and smuggling them to Modern Jersey. What follows is a gritty, fast-paced, and suspense-filled story

Remember the name Catalina Sandino Moreno. The heartfelt and harrowing performance she gives here has won her a heap of awards and I am determined there are many more to near. First-time director Joshua Marston, who also wrote the taut screenplay, shows Maria being taught how to swallow drugs wrapped in packets — she sips soup to form them go down without gagging. If the drugs in her belly should seep out during Maria’s turbulent jet flight to Novel York, she could be poisoned or arrested or both. Marston builds fabulous tension. But it’s the human drama etched on Moreno’s young, weary face that gives Maria its potent punch.

This Winner of the Audience Award at Sundance is a terrific film; unsightly, engaging, and engaging. But what makes Maria Fleshy of Grace an astounding experience is its ability to be ordinary. We gape everyday life here, plausible motives, convincing decisions, and characters who live at ground level. The movie’s suspense is heightened by being generated entirely at the race of life, and showing us what probably would happen, and not some implausible fairy-tale.
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postheadericon Watch My So-Called Life – The Complete Series Online

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Movie Title: My So-Called Life – The Complete Series
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In the Topple of 1994, ABC premiered what Entertainment Weekly would eventual hail as “the greatest cancelled television series of all time.” Airing for a total of 19-episodes, with the final installment airing February of 1995, “My So Called Life” not only jump-started the careers of Claire Danes and Jared Leto, but garnered young Danes a Golden Globe for her performance (she was the youngest actress to receive the honor) . Years after the demonstrate was cancelled ABC regretting their decision by trying to design lightening strike twice by producing similar series, yet ultimately known of them would garner the acclaim or magic of MSCL. Eventually TV Guide would call the series “the sixth best cult explain of all time.”

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The premise of the explain is simple enough, but yet complex enough to develop it fresh. Premiering in 1994, factual at the emergence of the teen-soap genre MSCL was a breath of fresh-air. Unlike “Beverly Hills 90210″ and latter “Dawson’s Creek,” this series was grounded in reality. Instead of glorifying every teenage rite-of-passage for film, the series seems to gloss over these moments in favor of the emotional outburst they produce: great like trusty life. Many people don’t remembers every detail or their prom, first kiss, and first independent car trail? Yet they remember exactly how they felt, and MSCL capitalized on these moments.

The prove follows 14-year-old Angela as she tries to ultimately survive not only her freshman year of high school, but the highs (and lows) or first admire, as well as becoming her gain independent self – separated from the person she tried to be for other people in Middle School. High School is a turbulent time for anyone from the Jocks to the Brains to the Leadership to the Outsiders. Everyone has their ups and downs, fair like Angela. But she makes it harder on herself, and yet easier by befriending two outsiders, when she had always been fragment of the `in-crowd.’ The audience follows Angela’s transition from smooth wall-flower to her beginning to emerge from her cocoon sometime towards the slay of her first year of high school.

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While on the outside the explain may seems like another “90210″/”The OC” teen-soap, but it really isn’t. This is a rich, emotional, and movie relationship-drama that once it gets your hooks into you, you cannot end watching. Unlike most shows of its genre its realistic and each of the major characters represents a person you probably knew in high school. Yet, they probably weren’t the most accepted kids. They were the kids you were friends with, hung out with, the ones you actually knew. It is a downright disgrace that ABC only allowed this series 19 episodes. More than almost any other expose I’ve ever watched I would have loved to gawk these character bloom into full-grown adults through their high school (and possibly college years) .

But what we are ultimately are given is unbiased this one 8-month snap-shot into these characters lives. But this could ultimately effect this exhibit the masterpiece that it really is. There was no room for it go downhill, no room for error. And forever it will be remembered. It has been years since my sister and I sat up all night long one weekend watching nasty copies of these episodes on VHS, and I cannot wait for Halloween, when I will finally have a chance to scrutinize them on DVD, almost anew.

This incredibly comprehensive box area includes all 19 episodes uncut (in their Fresh full-screen presentation) on 6 discs. The special features so far include: Interviews with Edward Zwick/Marshall Herskovitz/Winnie Holzman (creator/producers), Todd Holland/Jason Katism/Scott Winant (Directors), Wilson Cruz/Paul Dooley/Devon Gummersall (cast) ; Audio Commentaries on “the pilot,” “Life of Brian,” “So-Called Angels,” as well as additional episodes; Deleted Scenes; Promos’ Book with tridutes from Joss Whedon, Winnie Holzman, and Janeane Garofalo; and more.

“Okay, so maybe he’s bi. Who cares? His cousin can detached DRIVE.”

MSCL is bulky of best-line-ever-lines like that. It is the only point to that forever changed the device words arrange themselves in my head, which I guess kinda makes Holzman (et al) the Joyce of network television.

The series finale, ep 19, aired on my 12th birthday–meaning, this reveal has shaped half of my life. The fabulous thing about MSCL is how remarkable it grows up with you, even though, obviously, the episodes are the loyal same 19 episodes they always were. The writing and acting is so layered, complex and rich that the point to affords modern meanings and interpretations, even as its viewers “grow up.”

I owned the previous DVD box dwelling, and this one is a major improvement for several reasons:

1) Six episodes have commentary w/writers and actors, including Claire Danes in “Self-Esteem,” Devon Gummersall in “Life of Brian,” and (my approved) Wilson Cruz in “My So-Called Christmas.”

2) Extras DVD with cast and a making-of/retrospective featurette, and interviews w/Danes and Holzman.

3) Mountainous 36-pg book, lovingly made, with episode liner notes, song lyrics, letters, and other extraordinary memorabilia. Includes notes from Holzman and an essay by Janeane Garofalo.

4) Worthy better title screen/menu, both aestically and functionally. Each disc opens with a 20-sec renowned clip (“I’m in love/His name is Jordan Catalano…” for disc one; Angela’s “Can you please objective clarify geometry to me? ” plea to Brian for disc 4)

5) Noteworthy better, more streamlined packaging overall.

NOTE: I can’t comment on image quality between this DVD dwelling and the 2003 one. I watched both on an HDTV w/progressive scan DVD player, and both looked gorgeous to me. I have no notion if this DVD place is supposed to observe better or enhanced in some diagram from the previous version–basically, it looks and sounds huge.

Buy one for yourself and for everyone you know. Even if they’re 12. They’ll need it.

In closing, “Two words: Ti-no.”
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postheadericon Stream The Forsyte Saga, Series 1 Movie Online

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Movie Title: The Forsyte Saga, Series 1
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Some of my readers might have very warm recollections of the 1967 sunless and white BBC mini-series (from before, I gain, the term was coined) that brought to life in 26 episodes and 21 hours all six of the nine novels written by John Galsworthy under the supertitle “The Forsyte Saga.” Few video adaptations quite as obliging were to advance again until “The Pallisers” attracted millions, and both would be very difficult to improve upon. Well, Granada has tried with what might be an 18 fraction remake of the Galsworthy saga; and the first series of 6 is now available on three DVDs from Acorn Media.

Taken on its believe terms, it is extremely good–but not perfect–and had me and wife comely well riveted to the mask on three successive evenings. It did not, however, erase fond memories of the earlier version. Now the 1967 version was “studio-bound, with static camera work, long scenes and long speeches” (as the press release puts it) . What the release leaves out was satisfactory acting by established stars and by newcomer Susan Hampshire whose Fleur made her a star.

For example, Eric Porter made Soames a sympathetic human who distress himself more than he afflict others, especially his dejected first wife Irene. In the 2002 version, Damian Lewis, looking like a demonic Steve McQueen, is 99% pure villain; and his mother’s recollection of how he loved a pet cat to death does puny to soften his character. It is only in the very last dinky of the last episode that he softens–but I will not command you why.

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Another quandary is the actress playing Irene, Gina McKee. The new Irene was portrayed by the extremely radiant Nyree Dawn Porter; and all of the comments in the script about her looks were not contradicted by what we saw of her. Here (at the risk of being attacked for being another John Simon), McKee is simply resplendent but by no means heavenly. In fact, some of the profile shots accomplish her quite unattractive; and somehow all the praises the other characters teach about her are not justified visually. Then too, Soames’ sister, played in 1967 by Margaret Tyzack, was always referred to as unattractive and lucky to procure a husband at all, even if he is a “bounder.” Here Amanda Root, being very gorgeous indeed, draws no such disparaging comments in this unusual script.

The rest of the cast– Ioan Gruffudd, Rupert Graves, Gillian Kearney, Corin Redgrave, and so many more that I could only wish Acorn Media had provided a booklet with the cast as it did for “The Pallisers”–can stand comparison with the 1967 actors.

The production values are unprejudiced exquisite, but all too often the camera work becomes annoyingly “innovative” when one character discontinuance to the camera is speaking to one further away, and they are brought alternatively in and out of focus as they boom or listen.

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But, as a humorous Shakespearean character says, comparisons are odious. Again, on its have terms, this is a very scrumptious if somewhat flawed remake of (so far) the first two Forsyte novels; and I can honestly recommend them for once and future viewing as I scrutinize forward to the next releases when they are filmed. But let us yet hope for some Kind Soul to restore the 1967 version not too long in the future.

I approached this remake with an begin mind, having already been enchanted by the novels and the modern series on PBS. This series is wonderful, but suffers greatly from miscasting of pivotal character of Irene Heron Forsyte. Gina McKee, a talented actress, does not vow the mystery and allure of Irene the procedure Nyree Dawn Porter had already done in the modern series. Gina McKee’s coldness and drabness makes it hard to acquire that men would be captivated by her. For instance, I found it hard to fill that Philip Bosinney would throw over sweet and radiant June for this coldblooded woman. Nyree Dawn Porter on the other hand was Irene Forsyte, matching the description of Galsworthy as a heavenly woman with brown eyes and blonde hair who was charming. Ms. Porter effectively portrayed the aversion she had for Soames Forsyte, her first husband, and the warmth and devotion she showed to her second husband, Young Jolyon and their son, Jon. She made it easy to understand why Bosinney would leave June for her.

The male characters were better: Rupert Graves, Ioan Gruffaud, Damien Lewis, and Corin Redgrave were improbable. Damien Lewis captured the tormented Soames quite well and Ioan Gruffaud was an improvement over the actor who played Bosinney in the earlier series. Corin Redgrave was an outstanding Broken-down Jolyon and Rupert Graves was sympathetic as Young Jolyon. The only spot was that Ms. McKee’s Irene looked more venerable than her savor interests, Philip and Young Jolyon. Irene was sixteen years younger than Young Jolyon, but Rupert Graves looked younger than Gina McKee. Ioan Gruffaud looked more capable to the actress playing June than the more ragged Irene.

The scriptwriters I felt took liberties with the modern that really clashed with what the characters were all about. For instance, the proud Young Jolyon after his exile from his family, would never have gone encourage to his Uncle James and Cousin Soames asking for a loan. This scene was totally out of character. Also, Irene was supposed to be gentle and passive; Gina McKee’s Irene slapped June. This too was totally out of character. There was never a scene with Soames asking his fiancee Annette to throw Young Jolyon and pregnant Irene out of a restaurant. The scene was absurd and totally unnecessary. It would have been better had the writers stayed with the original and had Soames seeing Irene and Jolyon in a crowd at Queen Victoria’s funeral. I also could have done without the graphic bedroom scenes racy Irene and Soames. The first series and the novels more appropriately left their intimate relationship to the imagination.

Overall, this was a edifying pain. I hope that care is taken in casting Fleur Forsyte, who was brilliantly played by Susan Hampshire in the earlier series. If she is miscast, like Irene, the second half will descend apart, since Fleur is such a pivotal character in share two.
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postheadericon Buy The First Wives Club At Amazon!

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The First Wives Club Description:

  • Amazon Sales Rank: #10258 in Movie
  • Released on: 2009-09-05
  • Rating: PG (Parental Guidance Suggested)
  • Running time: 103 minutes

Customer Reviews:

“If only she’d called me. If only I was listed!”star40 tpng Buy The First Wives Club At Amazon!
In 1996, Hugh Wilson directed a very funny comedy about three friends that were all dumped by their husbands for younger women in the film “First Wives Club”. Based upon the 1992 novel of the same name by Olivia Goldsmith (1949-2004), the three friends (who had met in college) are brought back together after their fourth friend, Cynthia Swann Griffin (Stockard Channing), jumped from her penthouse apartment in Manhattan after her husband left and she felt totally alone. Upon learning about each others similar marital problems, the surviving friends, which include the boisterous Brenda Cushman (Bette Midler), the movie actress Elise Elliot (Goldie Hawn) and the timid Annie Paradis (Diane Keaton), decide to work together to attain vengence upon their ex-husbands. Brenda’s ex-husband, Morton ‘Morty’ Cushman (Dan Hedaya), wants to marry the very young and shallow Shelly Stewart (Sarah Jessica Parker). Elise’s ex-husband, Bill Atchison (Victor Garber), is dating the very young aspiring actress Phoebe LaVelle (Elizabeth Berkley). Annie’s separated husband, Aaron Paradis (Stephen Collins), is having an affair with Annie’s therapist, Dr. Leslie Rosen (Marcia Gay Harden). To assist them, the trio of first wives enlist help from their friends, which include the interior decorator Duarto Feliz (Bronson Pinchot), Annie’s daughter Chris Paradis (Jennifer Dundas), the socialite Gunilla Garson Goldberg (Maggie Smith) and Brenda’s Uncle Carmine (Philip Bosco).

Though the plot was somewhat weak and the acting and screen writing were not Oscar-worthy, “First Wives Club” is still very entertaining and engaging. The most memorable acting comes from Goldie Hawn, Bette Midler, Diane Keaton, Sarah Jessica Parker and Victor Garber. The film did receive an Oscar nomination for Best Original Score. Memorable scenes in the film include Cynthia on her balcony, her funeral, the trio at the restaurant, Elise visiting Bill’s office, Annie’s visits with Dr. Leslie Rosen, Morty’s commercial, Shelly with Gunilla, Morty’s apartment, the auction, the fight, Annie’s purchase, Chris’ announcement and the closing scenes. Other memorable characters include Annie’s mother Catherine MacDuggan (Eileen Heckart, 1919-2001), Dr. Morris Packman (Rob Reiner) and Brenda’s son Jason (Ari Greenberg), as well as cameos by Ivana Trump, Kathie Lee Gifford, Gloria Steinem and former NYC mayor Edward I. Koch. Olivia Goldsmith also made an unaccredited cameo. Overall, I rate “First Wives Club” with 4 out of 5 stars. It’s a fun film that both women and men can enjoy, though women may enjoy it more since the men in the film are the bad guys.

Great Movie!star50 tpng Buy The First Wives Club At Amazon!
I guess I’m a bit behind the eight ball – I just watched this movie for the first time last week – and it was great!!!

Goldie Hawn, Diane Keaton & Bette Midler work wonderfully together in this movie, and they each play their characters to the hilt!!!

The gist of the movie is that these women were all great friends during their teen years but had lost touch through the years. The suicide death of one of their “group” brought them all together once again. While catching up, they realized that they were all going through similar situations in their marriages – they were all being cheated on by their husbands!

Once they figure this out, they decide to put their heads together to come up with inventive ways to get back at their husbands for doing this to them – and I must say they do an excellent job at it!!!

Overall, this is a great comedy to watch with your girlfriends -I’m not sure if the men would be as eager to watch it with you. I give “The First Wives Club” 2 thumbs up!

Sweet Revenge?star40 tpng Buy The First Wives Club At Amazon!
I enjoyed the “First Wives Club”! Directed by Hugh Wilson in 1996, it’s a movie many women can identify with about four college friends; Cynthia Swann Griffin (Stockard Channing), Elise Eliot Atchison (Goldie Hawn), Brenda Morelli Cushman (Bette Midler), and Annie MacDuggan Paradis (Diane Keaton). After graduation, each busy with her own life, time races by and the four lose track of each other. When Cynthia commits suicide Elise, Brenda, and Annie are reunited at her funeral and begin rekindling their friendship.

Getting reacquainted they learn that each of them has been tossed aside and replaced by younger woman in their men’s lives, after many years of marriage. Brenda is separated from her husband but hopes to reconcile, Annie and her husband are in therapy and also separated, and Elise, an actress who worries she is past her prime, is faced with splitting everything and making alimony payments to her soon to be ex-husband. During a pity party, they realize it would be much better to spend their energy in getting even than to staying angry, feeling sorry for themselves, or following Cynthia’s lead. To accomplish their goal a strategy tailored to each man is set in motion. I especially enjoyed the scene where Elise delivers the proceeds from the sale of their assets to her husband!
Although the girls start out seeking revenge, their focus begins to shift as the self-confidence they had in their youth is resurrected and they realize that life, like each of them, still has much more to offer. A great ending!