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Posts Tagged ‘America’

Buy Stanley And Iris At Amazon! Compare & Purchase Stanley And Iris at Amazon by clicking here! List Price: —- Amazon Price: $2.99 Click Here To Purchase At Amazon!

Stanley And Iris Description:

• Amazon Sales Rank: #17529 in Movie
• Released on: 2006-09-26
• Rating: PG-13 (Parental Guidance Suggested)
• Running time: 105 minutes

Customer Reviews:

Terrific performances.
Maybe you’ve forgotten that Robert DeNiro was once considered America’s best actor. Maybe his constant involvement these days in lousy projects (Showtime, Rocky and Bullwinkle, Hide and Seek, et al) has diminished his reputation? Well, Stanley & Iris is a terrific place to go to see him at his guarded, emotionally tight best.
This is a middle-aged love story, about two people whose lives have been difficult, and who need each other more than they know.
While the direction and story are somewhat weak, the characters of Stanley and Iris and DeNiro and Fonda’s performances make the film.
Here you will find excellent acting, genuine vulnerability and and angle of repose and beauty.

A very satisfying movie
I love this movie. In a world where movies consist mostly of horny school kids and people who only believe in multiple sex partners and drive by shootings, this movie is such a refreshing change. It concentrates on normal people just trying to make lives for themselves. This is a movie that probably most of middle America can relate to on some level. Jane Fonda is beautiful, and Robert DeNiro is so sweet and endearing. Yeah, it’s a chick flick…you got a problem with that?

A well-acted love story about real people
I have to admit I have a thing for Jane Fonda and her blue eyes and endless different facial expressions. Her acting in this movie was no disappointment. I’m not the world’s biggest fan of Robert DeNiro like the rest of the world but his acting was also very good. I actually related to both characters. I can forgive some weaknesses in script and editing in a movie like this. I thoroughly enjoyed it as a break from the movies about rich, extroardinary people doing unbelievable things. What a nice concept that two shy, no-longer-twenty-something ordinary people can help each other conquer their fears and weaknesses in an honest relationship. While most movies portray the guy getting the girl with relative ease, Stanley has to struggle.

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Stream The Great Indian Wars: 1540-1890 Movie Online. Movie Title: The Great Indian Wars: 1540-1890 Average customer review: The Great Indian Wars: 1540-1890 is available for streaming or downloading. Click Here to Stream or Download The Great Indian Wars: 1540-1890

This collection will probably believe microscopic novel to those already familiar with Native American history, but such people are sadly few and far between these days. I picked this dwelling up on a whim, due largely to its rock-bottom notice and nicely constructed packaging. And I must say, I’ve been pleasantly surprised. No, the reenactments are not terribly high budget, but the invective elicited from other reviewers seems largely unmerited.

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No, the Native tribes are not depicted as sub-human savages, brutes or monsters. But what seems to inflame some people is that the Whites are not dehumanized either. The documentaries win substantial wretchedness to demonstrate the motivations, strengths, heroes, villains, foibles, massacres, and misunderstandings on both sides. Both Whites and Natives attack civilians. Both Whites and Native rupture treaties. Both Whites and Natives attempt to learn from one another and to live in peace. Both White and Natives steal in raiding, conquest, and slave trade. Meanwhile, shapely attention is paid to other players, such as the noted and hard-fighting Buffalo Soldiers. Some seem aghast at the fact that this program points out roughly equal numbers of casualties on both sides in the Indian Wars, as if this robbed Native tribes of their victimhood. I fair saw it as evidence that the Natives were skilled, valorous warriors, who were far more effective against the US military over the years than we are often led to beget.

Previously, many narratives of the Indian Wars portrayed Euro-Americans as chivalrous and marvelous, while Natives were violent and untrustworthy. In the last generation, that image has been turned on its head. It seems that whenever a human society encounters another radically different culture, the only scheme that society can perform sense of the other is to either deify them or to demonize them. We can glimpse strangers as angels or devils, but not as people. For whatever flaws it has, this position treats both sides as human, both flawed and delicate.

This film was incredibly disappointing considering the relative deficiency of film work in this field. This DVD residence is historically irresponsible in a number of ways, for example, the film continually shows a recount of Crazy Horse when referring to him, but most anyone with even a cursory knowledge of American Indian History knows Crazy Horse was never photographed. Story-lines are vague. Figures and numbers offered always favor the American Military. Indians depicted in live-action re-creations constantly are shown as a group, brutally beating American soldiers. Wounded Knee is reffered to as the “last tall battle.” The Sand Creek massacre is borderline depicted as being deserved. Ethically debateable American military leaders are depicted in a daring light.

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This film site is designed for White American males who collect aroused about veteran westerns that depict Indians as savage idiots. If this state was ever feeble in a classroom I only hope it would support as an example of what is dismal with America’s handling of Indian History.

No Indian people were interviewed for this film. No Indian people were outmoded in re-enactments. No reputable scholars appear in the film. The Pro-American white men that are interviewed in the film are people I have never heard of in all my years as an Indian History scholar. Id really like to know what the film-maker’s sources were for their research. The film contributes nothing relevant or original to the field. If you are a scholar in the field of 19th Century and American Indian History, cease away from this film unless you are looking for laughs or an opportunity to degrade your knowledge.
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Stream Hell Comes to Frogtown Movie Online. Movie Title: Hell Comes to Frogtown Average customer review: Hell Comes to Frogtown is available for streaming or downloading. Click Here to Stream or Download Hell Comes to Frogtown

Meet Sam Hell. Life for this abominable guy has never been the same after the world fell apart. Before the apocalypse wiped out most of humanity, Hell was objective another bloke trying to form it with the ladies. After the extinguish of the world, he suddenly found himself in tremendous ask. Why? Sam Hell has the unusual distinction of being one of the only-if not the only-men on the planet safe of fathering children. This ability is a colossal deal in a world where fertility is a highly prized commodity for both men and women. Radiation rendered most of the lads and lasses incapable of bearing children, so if the human run is to once again thrive and eventually rebuild the planet, the true man must meet the upright women. Besides, our side needs more children so they can raise favorable limited soldiers to continue fighting the Russians (or whoever it was who turned America into a desert) . Fortunately for this barren world, and for lovers of coarse budget trash cinema, Sam Hell honest happens to be weak wrestler turned actor “Rowdy” Roddy Piper. I can sleep better at nights smart Piper made more films before and after his memorable turn in Carpenter’s “They Live.”

Hell’s adventure begins when a group of scientists working for something called Med Tech (or some such thing) keep his life from a sadistic soldier, a Captain Devlin (William Smith), crooked on killing the fertile fool. It seems Sammy impregnated this guy’s daughter and attempted to whisk on down the road, something the soldier finds reprehensible. As portion of the bargain for rescuing Hell from an early demise, Med Tech insists that he notice on to a most queer mission. He must rescue a bevy of fertile women from the clutches of humanoid frogs. Impartial in case Sam attempts to urge away from his duties, the scientists saddle the hapless dupe with a rather painful looking chastity belt that will explode should he attempt to recall the plot or wing. Heading off to Frogtown with a sexy scientist and a punk rock looking bodyguard, Hell and company use most of their time schlepping around the desert making crotch jokes. Predictably, his two female companions hit on him, the chastity belt inflicts distress on several occasions, and the trio picks up a ratty looking girl in the desert. If you’re not laughing so hard by this point that your sides pain, you can sustain watching for more hijinks as Sam and his gang stroll into Frogtown.

From the moment Hell walks into a bar inhabited by numerous mutated frogs, the film takes on a weirdness and exclaim ridiculousness I have rarely witnessed in any other movie. There’s a vivacious frog stripper with eyes for male humans, a sadistic thug frog who seeks to do humans afflict, and Rory Calhoun as an elderly miner named Looney Tunes. Lots of dash scenes, “exotic” dancing, and explosions follow as Hell attempts to free the women and fulfill his contract. Tricking human sized frog creatures curved on controlling the human run is never easy, but Piper and the rest of the cast distinct give it the veteran freshman try. The movie tries hard to have a twist ending, but by the time Count Sodom and his cronies come on the scene I began to divorce myself mentally from the proceedings. Regrettably, the man called Sodom shows up at the destroy of the film, meaning I actually paid attention for most of the movie. It’s not that “Hell Comes to Frogtown” is a unpleasant B budget film; rather, the problems I had with the relate seemed to revolve around the fact that I watched it while I was awake. My terrible.

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It’s easy, too easy in fact, to bash this movie for its cheesy production values, ridiculous eighties haircuts, and ludicrous status. It takes a hardy soul indeed to overlook the myriad flaws in this film. I found the experience more bearable when I concentrated on the familiar actors and actresses parading across the mask. You’ve got Sandahl Bergman, of “Conan the Barbarian” fame, playing the role of Spangle, the sexy scientist charged with guarding Sam Hell on the paddle to Frogtown. William Smith plays the dual roles of Captain Devlin and Count Sodom with his usual gravel voiced charm. Don’t consume too powerful time scratching your head over the appearance of Rory Calhoun as the oddball Looney Tunes. This actor, whose career stretched relieve into the Golden Age of Hollywood, was apparently willing to catch any role as he entered the 1970s and 1980s. He’s probably best known to B movie lovers as the grinning Farmer Vincent in “Motel Hell.” His appearance here is tall proof that earning a paycheck in the movie business beats working a steady job any day. Really, the only redeeming quality of “Hell Comes to Frogtown” is Roddy Piper in the lead role of Sam Hell. Piper isn’t a spacious actor by any stretch of the imagination, but there is always something fun about watching him tackle a piece. He’s noteworthy, considerable better in “They Live,” of course, but his presence helps this movie immeasurably. Piper’s ability to sustain a straight face here should accept him some sort of award.

Amazingly, the narrate quality of this DVD is quite noble. It’s even in widescreen. The only extras are a trailer and a commentary track from the director and writer. Why they didn’t let Piper accomplish a few remarks is a mystery and a unlit omission. Seriously, most fans of cheap science fiction will want to give this one a witness if for no other reason than to glimpse giant frogs with human attributes pummel Piper senseless. Contemplate it as a double feature with “They Live.”

Pro Wrestling’s “Rowdy” Roddy Piper makes his second film appearence in this humorous but fun Sci-Fi adventure. Roddy is one of the last fertile men left on a post-appockolyiptic earth. He is captured by an all fremale scince group who forcew Roddy to impregnate all the fertile wild women they advance across, and while not in action, roddy is forced to wear an explosive coddle belt (to prevent him from escaping) . Guess what happens if Roddy (Hell) gets farther away than a specified distance to the Science group’s van? One of the essential women to the science group is captured and held in Frogtown (a town paunchy of half human/ half amphibian mutants), and now Mr. Hell must penitrate the main group of mutants to achieve her. Actually, this movie is a lot more exciting than it sounds. As expected, it is a coarse budget wonderful flick, but it’s vastly attractive in it’s action and humor. If you’ve nevver seen this film, it’s worth seeing at least once. If you liked “They Live”, Roddy’s other film, pick this one. It’s an underground classic!
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Stream State Fair Movie Online. Movie Title: State Fair Average customer review: State Fair is available for streaming or downloading. Click Here to Stream or Download State Fair

This heavenly fresh 60th Anniversary DVD edition of Set Delicate is a must for all musical fans and Rodgers and Hammerstein II enthusiasts. Featuring the duo’s only gain written exclusively for Hollywood, and based on the original by Phil Stong (which had been previously filmed, very successfully, in 1933 with Janet Gaynor and Will Rogers), the musical Spot Graceful is burly of homespun charm and ravishing performances, enhanced by Technicolor photography and of course the accomplished R&H win.

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During their annual visit to the Iowa Place Glorious, the Frake family bask in many adventures. Proud patriarch Abel (Charles Winninger) has high hopes for his champion swine Blueboy; and his wife Melissa (Fay Bainter) enters the mincemeat and pickles contest…with hilarious results. Their children, however, have romance on their minds. Wayne (Dick Haymes) falls head over heels for flashy bandstand singer Emily (Vivian Blaine), whilst Margy (Jeanne Crain) finds the man of her dreams in the worldly-wise journalist Pat (Dana Andrews) . Rodgers and Hammerstein’s net features the handsome Academy Award-winning song “It Might as Well Be Spring”, not to mention a rich tunestack of “That’s for Me”, “All I Owe Ioway”, “Isn’t It Kinda Fun? ” and “It’s a Sizable Night for Singing”.

The cast is simply qualified. Charles Winninger, who had been the unique Capt’n Andy in Oscar Hammerstein II’s “Expose Boat”, is a warm presence as the father, with Fay Bainter (Oscar-winner for “Jezebel”) also heavily scoring as the wife. Dick Haymes, with his clean-cut apt looks and mild crooning declare, is likewise a perfect fit for Wayne. Vivian Blaine, in probably her best film appearance up to that time, is a postive delight as Emily, and with her flaming red hair and beautiful gowns, we can understand completely why Wayne would tumble so lickety-split under her spell! Her film career all but ended with this movie but she later went on to accept her greatest role as Miss Adelaide in the unusual Broadway production of “Guys and Dolls”, later reprising her efforts for the film version.

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Just as the 1933 version was intended as a star vehicle for Janet Gaynor, so too was this 1945 version. Jeanne Crain was the main starlet at Twentieth Century-Fox and the studio tailored this film as a showcase for her beauty and all-American wholesomeness. But, Crain was not a singer, so her swear was dubbed by Louanne Hogan (who later made a career out of dubbing for Crain in other films like “Margie” and “You Were Meant for Me”) .

The DVD looks unbelievable and the new Technicolor negatives have been beautifully-restored for this recent release. Audio commentary is provided by film historian Richard Barrios and Tom Briggs who co-wrote the subsequent 1996 Broadway version of the musical.

But the fun does not waste there…

This current DVD status also includes the seldom-seen or heard 1962 remake of Site Magnificent. Since Oscar Hammerstein had by this point passed away, Richard Rodgers went wait on to the drawing-board and wrote several original songs for the salvage (“This Isn’t Heaven”, “Willing and Interested”, “More Than Honest a Friend”, “Never Say ‘No’ to a Man”, “The Miniature Things in Texas”) joining the classic numbers from the ’45 version.

Apart from the re-setting of the legend to the annual Texas Station Splendid, the rest of the epic plays out mostly in the same plot including all the favourite storylines (the lovesick Blueboy and the spiking of Melissa’s mincemeat) . But to retain in step with new audiences, a few of the characters were slightly changed with Wayne (played by Pat Boone) now a urge car driver.

The performances here are also very aesthetic. Tom Ewell, as Abel, gives a fantastic gravity to the chronicle and Alice Faye (returning to movies after a 30-year retirement) invests a lot of heart, sincerity and shiny comedy to the role of Melissa. Young starlet Pamela Tiffin, as Margy, is the very portray of wide-eyed innocence and Pat Boone brings a lot of depth and earnestness to Wayne. Ann-Margret (at the very apex of her sex-kitten phase) and Bobby Darin are likewise extraordinary as the objects of affection for Wayne and Margy respectively.

Filmed primarily on place, this Spot Magnificent is a lot more sizable and cinematic than the 1945 version. The musical numbers are very well-executed, the gargantuan highlight perhaps Ann-Margret’s steamy rendition of “Isn’t It Kinda Fun? ” with a group of red velvet-clad beatnik male dancers. Pat Boone’s satisfied “That’s for Me” and the aching ballad “It Might as Well Be Spring” (dubbed for Tiffin by direct double Anita Gordon) are also well-staged. Of the recent numbers, perhaps the best is “This Isn’t Heaven”, a perfect dreamy ballad for crooner Bobby Darin. Pat Boone and Ann-Margret also earn obliging with the resplendent “Willing and Interested”. “The Diminutive Things in Texas” could have turned into a throwaway number but Alice Faye and Tom Ewell hit the brand beautifully.

The CinemaScope image has been cleaned up very well for the film’s DVD debut. Audio commentary is provided by Pat Boone who offers some cherished memories of working with his co-stars and director Jose Ferrer.

Also featured on this 2-disc dwelling is a documentary “From Page to Hide to Stage” charting the making of the various Position FAIR’s as well as the 1996 Broadway musical version; the pilot for the TV series starring Vera Miles and an excerpt from the 1954 Rodgers and Hammerstein/General Foods TV special, of Mary Martin performing “It Might as Well Be Spring”.

An astounding DVD package and highly-recommended.

This warm and astonishing film is one of the truly tall American musicals, yet is also the least talked about. A terrific cast and some of the best songs Richard Rogers and Oscar Hammerstein II ever gave birth to form this Walter Lang film a sincere treat. It will always bring a smile to your face no matter how many times you glimpse it. It is noteworthy like “On Moonlight Bay” in that it is a magnificent family film with a rural setting, nearly bursting with old American values. The fact that it contains some grand songs that are worked into the legend in a natural and not artificial draw is a gargantuan bonus.

The Frake family in Iowa are all ready for their annual and great beloved spin to the Dwelling Blooming. Young and ravishing Margy Frake (Jeanne Crain) is furious that she might meet the fella that will change her life. Her brother Wayne (Dick Haymes) has been practicing the ring-toss all year so he can rep even with the carny who gave him a bum prize last year. Their pa, Abel (Charles Winninger), is inflamed about his pet boar, Blueboy, winning the vast prize this year. Percy Kilbride has a pleasing piece as Abel’s faded pal, Dave Miller. They have a five dollar bet on whether they’ll all have a fine time at the splendid this year.

Their mother, Melissa (Fay Bainter), is entering her pickles and mincemeat and has dreams that she will obtain this year over the snooty Mrs. Metcalf. Pa sneaks some brandy into her mincemeat when she’s not looking that might fair give her the edge this year. Donald Meek has a droll role as one of the judges, Hippenstahl, who is cheerful by the taste, and the aftereffects, of Melissa’s mincemeat!

Dana Andrews is a reporter for the Des Moines Register named Pat, who thinks he’s seen the world until he meets the sweet Margy. They utilize the three days together as remarkable as possible, but once their time is over, he is on his blueprint to Chicago for a gargantuan promotion. Margy loves him, of course, and he may notice he can’t live without her either.

Wayne will meet and have a romance of sorts with a magnificent singer, Emily Edwards (Vivian Blane) . But his taste of the trusty world will execute him like his girl succor home, Eleanor (Jane Nigh) . It is very silly as he and his sister execute up excuses to ditch each other and have their romances. Even Blueboy gets hit by the care for bug, as the “heavenly” Esmerelda catches his glimpse!

The spectacle and fun of the Set Splendid and what it means in the lives of the Frake family is captured beautifully by the color photography of Leon Shamroy. It should earn listed as one of the stars of this film. Adapted by Sonya Levien and Paul Green from a unique by Philip Stong, this is a heartwarming and cheerful see at America’s heartland and all that is agreeable about our past.

Songs like “It Might As Well Be Spring” and “It’s A Astronomical Night For Singing” are easy to lift and don’t seem forced at all. You never earn that “they’re going to screech now” feel for any of the numbers. They are very scrumptious and support travel the sage along. “It Might As Well Be Spring” won the Academy Award. The music is profitable, and so is this film.

Everyone is unprejudiced mountainous here, with the sparkling Jeanne Crain a particular standout. Harry Morgan has a nice bit as the carny Wayne gets even with, and if you view fleet for Coleen Grey you might pick up her. Charles Winninger is winning, as are Fay Bainter and Dick Haymes. Percy Kilbride was always humorous and this was one of Dana Andrews’ best roles after the delicate “Laura.”

This film will develop you nostalgic. It has the feel of sitting on your front porch in the middle of summer with a glass of iced tea, the scent of honeysuckle in the air and Virginia Creepers twisting around the arbor. This is one of the best American musicals and one you don’t want to miss.

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Father Knows Best: Season Three Streaming. Movie Title: Father Knows Best: Season Three Average customer review: Father Knows Best: Season Three is available for streaming or downloading. Click Here to Stream or Download Father Knows Best: Season Three

On June 9, 2009, “Roar! Factory” released the third season of one of the best sitcoms ever to advance down South Maple Street in Springfield (or any other street in America) — “Father Knows Best”.

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After watching the first three discs of this 5-Disc DVD place, I’d have to say that Season 3 is even better than the first two seasons of FKB. But Season 1 and Season 2 are darn agreeable too (even if some of the first-year shows aren’t “uncut”) .

I’m not an expert, but it seems to me as though the writing for the third year is a distinct degree above the earlier seasons. I haven’t noticed a misfire yet (through Disc 3, that is) . These episodes are simply outstanding–every one of them–and I honest felt like writing this review to say that.

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But the thing that really prompted me to flow to the computer today to write these comments is one particular scene in the episode called “Swiss Family Anderson” (on Disc 3) . That episode originally aired on network television over 50 years ago (on January 9, 1957), but it quiet seems novel and relevant even today.

The scene in quiz occurs six minutes into the “Swiss” episode, honest as the Anderson family is sitting down to dinner. Jim (Robert Young) begins to teach the rest of the family about how a work colleague of his wants him to engage a search for at an “island” property and size it up for a possible catch (at the attractive helpful impress of only $1,500) .

What impressed me most about that dining-room scene is the device it was filmed and how it was “choreographed” (so to disclose) . The first 90 seconds of the scene were shot in one long, continuous win, without the camera racy one slide.

During that long, continuous shot, the family members are talking and filling their dinner plates by passing them around the table until everybody’s got everything they need. It’s like a ballet with the ham and potatoes.

After the camera cuts away from that long engage, we fetch another fairly-lengthy unbroken hold from the other side of the dining table, with Betty (Elinor Donahue) providing a very silly moment as she tries to convince “father” to add some more shower heads to the upstairs bathroom — “Nowadays, everyone has two heads! Lots of people have THREE!” [LOL.]

(BTW, I guess perhaps I’m fair venerable or out of touch, but I have never seen a shower or bathtub that has had more than one shower head in it. And why in the world would anyone need two or three shower heads anyway? Does Betty idea on taking a shower with two additional people at the same time or something? ) ~shrug~

Anyway, I verbalize that scene really isn’t anything super-special or fresh (there are probably similar scenes in other FKB episodes, and in other TV series too), but for some reason that scene I unprejudiced described stood out for me when I watched it (and then rewatched it again true away, because I idea it was very reliable) .

I judge it’s a advantageous example of the high quality of this television series. The actors never miss a beat, the dialogue seems natural at all times (and the “shower head” banter was a truly hilarious moment), and the “plate dance” was a nice touch too. I unbiased wonder if the aired version of that scene was Prefer #1? Or Capture #21?

As for the other Season-Three episodes I’ve watched thus far, as I mentioned, I haven’t seen a dud in the bunch yet, and this includes “Never In Twain”, “Margaret Hires A Gardener”, “The Stout Guy”, “The Family Goes To Current York”, and the very touching episode entitled “The Homing Pigeon”.

In addition to the above episodes, this situation also contains one of the very best (and surprisingly-exciting) episodes of any TV series I have ever seen. It’s entitled “Short Wave”, and after watching it for the first time, I found myself wanting to immediately glance this wonderful, well-acted, and novel episode again — and I did.

I won’t spoil the set of “Short Wave”, but if you’ve got this DVD collection and haven’t yet watched that episode — go gawk it now. It’s a winner.

The third-season DVD area also has several bonus features (some on each disc), including three complete episodes of the radio version of “Father Knows Best? ” (yes, with a query heed at the destroy of the title) .

Plus, there are two rotund episodes of Robert Young’s short-lived series “Window On Main Street”, which premiered in 1961, shortly after FKB left the air.

These third-season episodes of “Father Knows Best” seem to be complete and unedited too (25+ minutes per present), with the word “uncut” appearing on the abet cloak of the DVD’s outer slipcase, which is always a nice word to leer in print on a TV/DVD package.

I don’t acquire having ever seen any of these Season-Three episodes in the past, except for a few minutes of “Man About Town”, which fair happened to be the episode that was airing on many ABC-TV affiliates between 1:30 and 2:00 PM on the afternoon of November 22, 1963, when news first broke about President Kennedy being shot by an assassin in Dallas, Texas.

Therefore, almost all of these episodes are brand-new to me. And I can hardly occupy how really, really advantageous these shows are. I’ve watched some of them two or three times already….and I haven’t even gotten to Disc 4 yet.

But even without having seen the last two discs, I want to notice the “Father Knows Best: Season Three” DVD place with the following two words:

Positively Recommended!

David Von Pein

June 2009

I’m very delighted to leer that Season 3 of Father Knows Best will be coming fairly soon. Like the Donna Reed Demonstrate, Father Knows Best is a very involving family comedy, and I hope they continue with the remaining seasons in short order!
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Coming to America-Retail —-! Sale Only $2.99! Compare & Purchase Coming to America at Amazon by clicking here! List Price: —- Amazon Price: $2.99 Click Here To Purchase At Amazon!

Coming to America Description:

• Amazon Sales Rank: #7625 in Movie
• Released on: 2009-09-05
• Rating: R (Restricted)
• Running time: 117 minutes

Customer Reviews:

Great movie, but DVD is in dire need of an upgrade.
No doubt at all that, ‘Coming to America,’ is one of Eddie Murphy’s finest movies of all. A true comedy classic, this film will have you rolling from start to finish at the zany characters and performance throughout.

The DVD itself, on the other hand, leaves much to be desired. As far as extras go the only ammenity offered is 1 lousy trailer. Also, the video transfer itself is far from pristine and the Dolby 5.1 audio track sounds like it could still be sweetend up. Sure, i suppose the fact that this DVD was authored back in 1999 may explain why the disc comes across as a bit primitive in terms of bells and whistles, but with that being said, it’s high time for a proper re-release to do this comedy classic some audio-visual justice!

Hilarious classic that will live in our hearts forever!!!
This is one of my all time-favorite African-American movies. First of all, Eddie Murphy is hilarious (in all of his roles). Arsenio Hall is a perfect foil for Eddie’s hijinks. Eddie let his full range of talent show in this film; he played an innocent person who grows into a mature adult right in front of our eyes and realizes that there is a price to pay for love; whether or not you are born into royalty. This is one of those movies that a person watches over and over again and ends up reciting the lines as the movies is playing. James Earl Jones and Madge Sinclair are wonderful in this movie as well as the King and Queen. Madge Sinclair was one of the world’s best actresses and I miss her greatly. She tells James Earl Jones “put a sock in it, Geoffrey, the boy is in love.” Nobody can deliver that line to a black king, except a black queen. John Amos, (whom I have loved since Good Times), is a great actor as well. He plays the part of a black businessman so well, and as a father he takes no stuff off of the King. He tells James Earl Jones, “I will break my foot off in your royal _____); now that’s a ghetto father for you. James Earl Jones knew where to draw the line with Cleo McDowell.

I also like the fact that the Kingdom of Zamunda was filled with kindness, and the people were happy, the royal family was truly wealthy and had everything. You know, this movie is truly a fantasy and helps us escape from our everyday lives. Just to see the Queen and King eating breakfast and talking to their son on a “speaker phone” because the table is so long, is funny. The King and Queen taking their entourage to Queens when they received the telegram to send $1 million to Semmi who had spent up all his pocket change is one of my favorite scenes. That music that is playing during the sequence when the entourage arrives in Queens is so wonderful, moving and swirling, I am buying the soundtrack just to get that song. When I get married, I would like that song to play as my “court” walks down the aisle before me.

All the cameos in this movie are great as well. Nobody can play a doped-up thug like Samuel L. Jackson; Samuel is a natural at playing a killer. Also, Louie Anderson was funny, so was Eriq LaSalle, and Alison Dean.

Now the guys in the barbershop have to be taken from classic characters in the black community. In all the black neighborhoods I have been in during my whole life; there has got to be a black barbershop full of men eating, talking stuff, and cutting hair. When “Clarence” says that Martin Luther King, Jr. ran up to him and hit him in the chest, I just crack up, cause Martin Luther King, Jr. was a prophet of non-violence. And, Eddie Murphy playing a white man is too funny, and a Jewish white man on top of that. Now, that takes creativity; and comic genuis, and Eddie’s got it. And, Arsenio’s portrayal of Rev. Brown is right on target, there is always some country preacher in the neighborhood that comes to every event, eats up the food, and blesses the weddings, blesses the children, and buries the dead.

One of my favorite parts is when Lisa tells Prince Akeem, she cannot marry him; because he lied to her about his identity. That made Akeem grow up very fast, and learn that nobody; no matter who he is, can buy love.

The clothes in this movie are also wonderful. Deborah Nadoolman did a great job showing how royalty would dress in a foreign country where it is warm, Also, how they would dress in Queens during the winter; those fur coats Madge Sinclair had on were fantastic and so were the suits worn by the King himself. His coat of an entire lion’s skin was dramatic and the diamond eyes on that lion’s head were cool.

The ending this cinderella story was great, love did really win out in the end.

Well, I could go on and on about how much I liked this movie but, I am going to stop now. Get this movie and keep it in your video collection so you can watch it and laugh over and over.

Hilarious!
A charming, polished and original comedy featuring a great performance from Murphy and some memorable laughs. Some of my favorite scenes are:

- when they all get up from the leather couch and there is soul glow grease all over it from where their heads were (“Just let your Soul GLLLOOOWW!!”).

- when Samuel L. Jackson robs the McDowell’s restaurant that Murphy and Hall are working at. The ensuing scene between Jackson and Murphy is classic.

- when Murphy gets his hair cut off in the barbershop (Snip. “that’ll be 10 dollars”).

- that “She’s Your Queen to Be” song.

There are so many more scenes that I love that I could mention. A must-see!

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Amreeka Description:

• Amazon Sales Rank: #9816 in Movie
• Released on: 2010-01-12
• Rating: PG-13 (Parental Guidance Suggested)
• Running time: 97 minutes

Customer Reviews:

Looking for Home
“Amreeka”

Looking for Home

Amos Lassen

A woman from the Middle East struggles to make a living on the West Bank but when she gets a notice that tells her that she has won a lottery for a United States Green Card her life takes a dramatic turn. Now she must decide if she and her son should come to America in search of a better life. She decides to make the trip and leaves her mother and brother behind but she soon understands that that life in Amreeka is not at all what she had imagined it to be. She is the victim of prejudice wherever she goes as does her son and her relatives in the Midwest that she stays with. What we learn from the film is the importance of family and that we make sacrifices for those that are important to us. We see what life is life for those living in “Palestine” and also what it is like for those who emigrate. We also see Arabs portrayed as people and not as terrorists and we see the racism that they feel.
The movie is warm-hearted and humorous. Muna (Nisreen Faour) and Fadi (Melkar Muallem), her sixteen year old son are our main characters and we follow them from the checkpoints of the West bank to the racial prejudice in a small town near Chicago. Muna is from Bethlehem and she really wants a better life for her and her child. We see that not all Arabs are Muslims and we learn that Arabs in Bethlehem are Christians. The movie begins by showing us the tight knit family and this is a contrast to American life in many cases. However our mother was not prepared for life in America and we see that the vision of this country being a land “of milk and honey” does not ring true. We see persecution based on ethnicity and we see how Arab immigrants are treated here. This is not a story of prejudice but it is a story of reality. This is also not a political film but a look at something we know too little about. The actors are quite good and I must say that as an Israeli with my own inborn prejudices, I found this film to be quite good.

A masterpiece
“Amreeka” is a masterpiece: heartbreaking, moving, complex, fierce, tender. Extraordinary writing, sublime acting, and haunting visual and aural landscapes. This work brings to one of the most tragic situations in contemporary history a most sophisticated, generous moral imagination: outrage, understanding, anguish, humor.

“Amreeka” will transform every viewer’s percepts. Please see it.

A Palestinian immigrant in Bush-Cheney America
Amreeka is a charming film about the modern Arab immigrant experience. Built around a cast of well imagined and sensitively portrayed characters and set in the initial days of the US invasion of Iraq, it follows a Palestinian mother and her teenage son as they learn to sort through the problems typical of many immigrants – loss of a support network, dependence on locals or established immigrants, the inability to transfer qualifications and skills, and indifference or even hostility from members of the host culture. The experience is exacerbated in Amreeka by the ethnic chauvinism fomented and unleashed in the run-up to the Bush-Cheney invasion – a threatening note left in a mailbox, canceled contracts, disappearing customers, as well as verbal and physical intimidation. Bitter as that experience was, and as tempting as it may have been to lecture, the director never falls into polemicizing but stays focused on the characters. One of the mother’s unexpected sources of friendship and help in navigating her new world is a Polish Jew. Practically speaking a one-woman production from writer-director Cherien Dabis, Amreeka is a lovely film that falls flat only in the end. It seems the story does not so much reach a conclusion as it does to simply end, leaving you with the impression there may have been more to tell.

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Shadow of a Doubt 1943 Description:

• Amazon Sales Rank: #12446 in Movie
• Released on: 2009-10-16
• Running time: 109 minutes

Customer Reviews:

Charlie, think. How much do you know about your uncle?
Having just watched Alfred Hitchcock’s Shadow of a Doubt (1943) last night for the first time, I was surprised at how good it was, and why I’ve never seen it before. I mean, I am a fan of Hitchcock, and I’ve seen many of his movies, but to have heard so little of this particular film seems puzzling to me, as it’s an excellent film, and worthy of a lot more recognition than it seems to have gotten. Either that or I just need to get out of my cookie jar more often…

Anyway, the film, directed by Alfred Hitchcock and written by Thornton Wilder, stars a wonderful cast including Teresa Wright, who appeared with Gary Cooper the previous year in The Pride of the Yankees (1942), Joseph Cotten (Citizen Kane, The Third Man), and Henry Travers (High Sierra, Mrs. Miniver, It’s a Wonderful Life). Also making an appearance is Hume Cronyn making his film debut in a supporting role as a mousy neighbor.

The story involves a family in a small California town, and the impending arrival of a relative, Charlie (Cotten), from back east. Most anticipatory is younger Charlie (Wright), named after her uncle, as she feels a deep, almost telepathic connection to this man she hasn’t seen in quite awhile. Now, before Charlie’s departure for California, we get a general sense of unease, as it seems Charlie is involved in something of a sinister nature. Upon arriving in California, the visit seems to be going well, as the family welcomes him with open arms, but soon we learn that trouble has followed Charlie in the form of two rather shady individuals who present themselves with a certain amount of deception, which is elaborated on later. The older Charlie’s behavior begins to change subtly, perceptible only to the younger Charlie and us, the audience. As various bits of information are disseminated, the younger Charlie’s begins to realize that her uncle may harbor a terrible secret that could tear apart the very fabric of her family. As her uncle’s slick veneer is slowly peeled away, she eventually learns the truth, with the older Charlie realizing that the relative safety he sought in coming to stay with his sister and her family is in jeopardy. What lengths will he go to to protect himself from his past?

The film starts out very slowly, but it’s obviously deliberate, as the sense of dread within the viewer is cultivated in meticulous fashion. This seems a common tactic with Hitchcock, but I did get the feeling it was more drawn out here than in most of his other films. The pacing felt very similar to Rebecca, another Hitchcock film, which was released in 1940, but while that film had a much more grandiose feel to it, this film keeps things fairly simple, which really works well. There is a good amount of leaving the viewer in the dark within the first hour or so of the film, but when the secrets of the character is revealed, the plot points prior to this fall into place nicely, making sense of these once less meaningful elements. Teresa Wright’s character is wonderful as the perceptive and intelligent niece forced to make a very difficult decision between her family and her uncle, trying to deal with the consequences of whatever path she chooses. Cotten is the real standout performance in the film, presenting a very likeable character, with a highly polished exterior, but an exterior you learn is barely hiding a very ugly and, ultimately, dangerous core. He figuratively becomes the fox in the hen house, as his sinister nature encroaches upon this quiet, unassuming community. As I said before, the pacing is pretty slow, picking up moderately within the last 30 minutes (it has a running time of 108 minutes) to a very suitable and satisfying ending, one that provides a nice jolt during an already tense scene.

The print provided by Universal for this release looks very good, despite a few hardly noticeable signs of age and wear. Special features include a featurette on the making of the film, detailing why Hitchcock considered this to be one of his favorite movies he made, production notes, drawings and photographs, recommendations (to other Hitchcock films), and a theatrical trailer for the film. All in all, and excellent, if underrated, Hitchcock classic.

Cookieman108

IN RETROSPECT, ONE OF THE BEST EVER
To say Hitch’s “Shadow of a Doubt” is a great film would be fair; but in all honesty, looking back on the films (hundreds by now, maybe thousands) I’ve seen, there are few that have left such an indelible impression on me.

By now, everyone knows the story of Uncle Charlie and his adoring niece and how she slowly uncovers the truth behind her mysterious uncle’s past.

What’s brilliant about this movie is the way it foreshadowed and still influences movies today. Think of “Blue Velvet” and its portrayal of the naive small town boy uncovering a secret to his sleepy little town. Or even “The Third Man” just a few years later where, ironically, Joseph Cotton finds the truth about his best friend, Orson Welles.

What makes this film endure is its theme: The loss of innocence. the innocence of Teresa Wright’s adoring neice (watch the brilliant scene in the bar where she sits down with Joseph Cotton), the innocence of Charlie’s family and of course, the innocence of Santa Rosa itself.

Perhaps Hitchcock and Thornton Wilder were prophetic in the way they mapped out the loss of America’s innocence especially after the war. (the film was released around then). Look at our society now and how everything has changed. The 50′s were looked upon as the decade we lost our innocence (Some even point far later to the Vietnam war as the period that ended it) but Hitchcock back in the 40′s was saying that everything was not all right, and that bad things just didn’t happen in dark alleys and dark houses, that it could happen on the sunniest of days and in most Apple Pie, White picket fence homes.

And then, of course, is the equally superb and brilliantly understated ending where Joseph Cotton’s Uncle Charlie is being mourned in his death as a hero is equal parts chilling and darkly amusing. Hitch’s point? That we still live in denial, that we may need people like Teresa Wright’s Charlie to keep the lie hidden, because we aren’t able to look at ourselves in the mirror and see that dark side and embrace it.

No wonder this film was Hitch’s fave. Hitch loved to explore the dark side of the everyman (or every woman) and along with Strangers on a Train, Vertigo, Rear Window and Psycho, they form a collection of films that perfectly dissects the human condition and this theme.

A truly great film worth watching over and over.

One of Hitchcock’s Greatest Films
Shadow of a Doubt is my favorite Hitchock movie. Among the reasons why I like it…

–Theresa Wright gave an extraordinary performance as Young Charlie, immensely sympathetic and appealing. I rate hers as the best acting job by a female lead in any of Hitchock’s films, including those by Bergman, Kelly, et al.
–It was a perfect role for Cotten, an actor I like, who had charm, attractiveness, but to me always seemed a little weak. I thought the role, however psychopathic, suited his personality.
–The murder by-play at the family dinner table was great fun and played off Uncle Charlie’s real murderousness.
–The slowly building knowledge that Young Charlie was realizing the truth about the uncle she idolized and the knowledge that no one would believe her.
–The slowly building realization that despite the affection Uncle Charlie had for Young Charlie, he probably was going to do her harm.
–The affection that Hitchcock shows toward comfortable small town America. It’s an idealization, but without condescension. And because he plays it straight, he makes Uncle Charlie’s philosophy of life seem all the more unsettling.
–The script was, I think, one of the best written and tightest Hitchcock ever worked with.

There’s no mystery. We know Uncle Charlie is a killer. The movie is about how Young Charlie and Uncle Charlie are going to resolve their problem as they circle around each other. Hitchcock creates an increasingly unsettling atmosphere, using gentle humor as a foil, and with a person, Young Charlie, it’s easy to care about.

The DVD transfer is very good.

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The years that the probable contents were released, as well as some info on the various works.

FILMS

1943

VICTORY THROUGH AIR POWER – This film was basically propaganda with some entertainment and some great animation. Mainly championed Major Seversky’s 1942 book of the same title with the theory that long-range air power could defeat the WWII enemies. The scene of an American eagle attacking the Japanese octopus is very grand, spicy animation.

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ENTERTAINMENT/PROPAGANDA SHORTS

1942

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DONALD GETS DRAFTED-always enjoyed the belief of Donald reporting to the draft board in his sailor suit.

THE ARMY MASCOT-Pluto schemes to select over the job of a mascot goat, with hilarious results.

THE VANISHING PRIVATE-Donald goes crazy with invisible paint, leading to war with his sergeant Pete, with a perfect, droll ending.

SKY TROOPER-Donald wants to be a pilot, and his sergeant Pete gives him more than Donald bargained for.

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1943

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DER FUEHRER’S FACE-the notorious and disagreeable cartoon in which Donald dreams he is in Naziland where he is forced to work in a munitions plant.
EDUCATION FOR DEATH-very strong propaganda about Germany’s totalitarian dwelling which turns an innocent young boy into a robotic soldier.
PRIVATE PLUTO-Pluto has a war with the chipmunks in guarding the spot.
FALL OUT – Tumble IN-Donald experiences some of the trials of Army life, such as super-long hikes.
REASON AND EMOTION-entertainment and propaganda worn in a yarn about reason and emotion working together for the war grief, delicious animation.
VICTORY VEHICLES-Goofy shows off alternate transportation due to the wartime rubber and gasoline shortage, settling on the pogo stick.
THE Ragged ARMY GAME-Sergeant Pete catches Donald sneaking befriend into substandard after a tedious night on the town, leads to a merry jog.
HOME DEFENSE-Donald’s nephews conflict with Donald after he sleeps during his duty of watching for enemy attack.
CHICKEN LITTLE-The classic “the sky is falling” tale, originally planned to have more wartime references.

1944
HOW TO BE A SAILOR-Goofy’s record of the history of sailors, ending with him using himself as a torpedo to sink Japanese ships.
COMMANDO DUCK-Donald is sent on a suicide mission to wipe out an entire Japanese air snide, with hilarious results.

EDUCATIONAL SHORTS

* = Created for Canada to sell their war bonds.

** = CIAA films (Coordinator of Inter-American Affairs) created to combat the German Nazy influence that was widespread in Latin American in the early 1940s.

1941
THE THRIFTY PIG * – animation from Three Shrimp Pigs cartoon adapted, with the Vast Awful Wolf wearing a Nazi hat and armband.
THE SEVEN WISE DWARFS * – animation from Snow White adapted to display dwarfs buying war bonds.

1942
DONALD’S DECISION * – uses animation from 1938 Donald Duck cartoons “Donald’s Better Self” and “Self Control” to convince Donald to remove war bonds.
ALL TOGETHER * – uses animation from several sources, including The Band Concert (1935) and Mickey’s Amateurs (1937) to display several Disney characters in a parade to sell war bonds.
THE Novel SPIRIT – Donald is encouraged to pay his income tax to encourage the war concern.
FOOD WILL Regain THE WAR – Stresses the importance of farmers to the war trouble. Includes the Three Miniature Pigs leading a long line of pigs.
OUT OF THE FRYING PAN INTO THE FIRING LINE – Minnie & Pluto star in an worry to expose how necessary it was for housewives to place kitchen fats and greases for the war inconvenience.

1943
THE GRAIN THAT BUILT A HEMISPHERE ** – Tells the history of corn and its importance to the world.
THE SPIRIT OF ’43 – Donald Duck resists Nazi propaganda and pays his taxes to help the war distress.
WHE WINGED SCOURGE ** – The Seven Dwarfs point out ways to defeat the malaria-carrying mosquito.
DEFENSE AGAINST INVASION ** – Shows the human body’s ability to fight off germs through vaccination.

1945
CLEANLINESS BRINGS HEALTH ** – The dissimilarity between the Neat Family that is joyful and healthy and the Careless Family that is melancholy and unhealthy.
WHAT IS DISEASE ** – Shows what causes disease and how to protect against disease.

1946
PLANNING FOR Superior EATING ** – Careless Charlie is ragged to notify a family about capable dietary habits.

TRAINING FILMS

1942
FOUR METHODS OF FLUSH RIVETING – basic animation for education purposes
STOP THAT TANK (BOYS ANTI-TANK RIFLE) – a stout deal of live action but fun, scrumptious animation of Hitler being blown to Hell by the rifle

1942-1945?
TRAINING FILM MONTAGE – A selection of scenes from various training films, I select.

There are a few war-related entertainment shorts not listed here – one or more might be added to this collection instead of what is listed above.

1943
DONALD’S TIRE Misfortune – most likely short. Donald has continual grief with flat tires due to the wartime shortage of rubber.
PLUTO AND THE ARMADILLO – diminutive connection to the wartime. Short releated to the Latin Armerica amble and the Saludos Amigos and The Three Caballeros films developed from that lunge.

1944
THE PELICAN AND THE SNIPE – same info as for Pluto and the Armadillo.

1945
DOG Survey – Pluto is a watchdog for a Navy ship.

The war years were a demanding time for the Disney Company. Most of their meager resources were devoted to the war distress. But this era contained a immense deal of creative exertion that might not have existed if not for the war.

I have seen most of these war works, and I mediate them enthralling and among the best of all of Disney’s work. I noteworthy watch forward to owning them on DVD.

In the early 1940s, when the United States joined a second World War against the forces of nasty, it was necessary that all Americans did their piece. Walt Disney was no exception, and he and his artists took on the task fearlessly! This valuable entry into the Walt Disney Treasures Collection limited-edition DVD line compiles the Disney Studios’ war-themed exciting shorts from that era along with the feature film “Victory Through Air Power,” which is accompanied by some tall interviews, galleries, and training film samples and clips. Grand of this colorful material has gone unseen since the 1940s, making this position a “Must Have” for Disney and WWII buffs all over! Here’s a bustle through of what you’ll acquire in this Disney dream-come-true!

Disc 1

Propaganda and Entertainment Shorts:

This is the first of three sections into which the shorts of disc one are divided. Each portion is kicked off with a nice intro by film critic and historian Leonard Maltin, whom we can thank for this improbable Disney Treasures DVD series. Leonard puts each group of films into well-behaved historical context for the viewers, hands out viewer warnings when distinguished, and often gives nice details about individual films. Leonard also provides an introduction to both discs in each Disney Treasures 2-disc collection.

“Donald Gets Drafted” (1942) – In our first short, one of the funniest in this group, Donald gets a first hand lesson in what it’s really like to join the army. The short begins with Donald, draft card in hand and dreams of flying military aircrafts in his head, getting jazzed up on the view of being a soldier from the alluring advertisements on the sidewalk. Many feature 1940′s style pinup girls fawning over the current recruits, and who could resist that? If women like Priscilla Lane were around today and doing military ads, I’d join-up accurate now! Or, at least, I’d be tempted. As Donald enters the recruiting office, he is immediately set aside through a hilarious physical examination and uniform fitting, and the Duck is in! He gets a unfriendly wakeup call, however, when he meets his original drill sergeant, Pete!

“The Army Mascot” (1942) – Pluto is sniffing around outside an army camp when he notices how extraordinarily well fed two mascot dogs are! Pluto immediately disguises himself as the third mascot, Gunther Goat, in hopes of receiving a juicy steak of his beget. To Pluto’s dread, he instead receives a pile of empty tin cans for dinner. What’s worse, Gunther catches Pluto in the act and snappily retaliates. Pluto makes another attempt at winning a mascot set by outdoing Gunther in tobacco chewing. While this notion works to a fault, Gunther again takes action.

” The Vanishing Private” (1942) – Private Donald doesn’t seem to collect the point of mask painting, but after a scolding from Sergeant Pete, he becomes a miniature TOO noble at it. Donald’s snooping around in an experimentation lab leads him to a can of invisibility paint, and soon, Pete is looking “not all there” himself.

“Sky Trooper” (1942) – Donald is stuck in the kitchen peeling potatoes as he dreams of being in the clouds. Sergeant Pete notices the duck’s obsession and comes up with an notion. He agrees to let Donald sail after one more pile of potatoes is peeled, and soon he is giving the Duck equilibrium tests and preparing him for the skies. What he isn’t telling Donald is that once the Duck gets in the air, he’ll be coming down under a parachute.

“Private Pluto” (1943) – In their first cartoon appearance, Chip ‘n’ Dale are storing their nuts in a military cannon and using the barrel to crack their nuts. Following orders to guard the ample gun, Pluto the Pup takes them on!

“Descend Out; Descend In” (1943) – Donald Duck is marching at the succor of a line of soldiers on a long hike to a campsite, suffering from fatigue and hunger, and being tormented by all kinds of weather. When the troop finally arrives, Donald must secure his tent up before he can eat and go to bed. Naturally, his efforts are futile.

“Victory Vehicles” (1943) – This classic Goofy short makes light of the gas and rubber shortages of WWII in a highly provocative plan. With an intro portraying the transportation troubles that have reach about, we proceed on to a cavalcade of ideas from the public (all reenacted by the Goof) for ways to earn around the pickle. Various incarnations of Goofy proceed up and down the streets of America in a variety of absurd inventions, but the final solution to the transportation inquire of appears to be a mere child’s toy: the pogo stick! This short features a laughable modern song that will likely come by stuck in your head for a while!

“The Obsolete Army Game” (1943) – Sergeant Pete discovers Donald and some other soldiers have snuck out one night, and he’s there waiting when the Duck returns. Donald pulls some clever tricks, but eventually, Pete catches up with him. A mid-chase encounter with a saw leads Don to contemplate he’s been slash in half. The short is a itsy-bitsy dismal, as it’s one of those that uses attempted suicide humor (these musty cartoons did that sometimes), when a despairing Donald puts a gun to his head and a sobbing Pete asks him to do it in the bushes so he won’t have to search for. Of course, they realize he’s in one fragment before then ruin.

“Home Defense” (1943) – Donald is manning a listening region, while Huey, Dewey, and Louie standby as the gun crew. The boys gain their kicks by playing pranks on their dreadful uncle, but will they be ready for a true attack?

“How to be a Sailor” (1944) – A typically hilarious Goofy “How to” short, this cartoon gives us a history of seafaring, Goofy style, all the method up to today, and includes some standard Goofy “How to” info in the lesson as well.

“Commando Duck” (1944) – This highly challenging morale booster gets a lot of its humor from Japanese stereotypes depicting the enemy, as Donald is dropped from a plane on a mission to raze an enemy atrocious. The daring duck succeeds only after a series of dangers and mishaps which involve some very Indiana Jones-ish action scenes! This was a first time viewing for me, as best I could remember, and I mediate it’s one of my faves in the site (though I have many) .

Educational Shorts:

The 14 shorts in this group, as Maltin tells us in the intro, were created to jabber and help the public to be healthy, pay their taxes on time, and pick war bonds. Recycled animation and classic characters were sometimes dilapidated in these surprisingly exciting shorts made not only for us, but for Canada and the Coordinator of Inter-American Affairs as well.

“Thrifty Pig” (1941) – This short features mostly recycled footage from the modern “The Three Microscopic Pigs,” though you won’t miss the Expansive Dreadful Wolf dressed as a Nazi officer this time around! This twist on the classic myth features a house made not of regular bricks, but of war bonds! Like many of these shorts, this one ends with a straightforward message. In this case, the message is to occupy Canadian war bonds.

“Seven Wise Dwarfs” (1941) – In this second short delivering the same message and also ending with a dramatic “Preserve Your Money Fighting!” finale, footage of the Seven Dwarfs from “Snow White” is reused with an edited version of the song “Heigh Ho.” This time, the song goes off on a verse about winning the war with “five for four.” The dwarfs turn in their jewels for war bonds in the tiny bit of unusual footage blended in with the rest. At only 3 minutes and 46 seconds, this is an example of how short these “message sending” cartoons can sometimes be. Palatable nonetheless!

“Food Will Regain the War” (1942) – One of the most intelligent and novel shorts in the situation, “Food Will Earn the War” is an informative share supervised by the U.S. Department of Agriculture. There’s no chronicle here. Instead, the short begins by showing us the destruction the Axis powers are causing overseas, and how the hope for victimized nations lies in our abundant food supplies in the United States. Depicting American farmers as heroes, the bulk of the short is extinct to reveal the audience impartial how worthy food we earn here in America. This is done with funny analogies and art depicting giant corn cobs and fruit pies, a sweater made of spaghetti that could be primitive by the planet Earth, and other such bizarre concepts to illustrate our colossal agricultural production.

“Out of the Frying Pan and Into the Firing Line” (1942) – This spicy 3 and a half little short brings us Minnie Mouse cooking breakfast at her stove and offering Pluto a gravy of hot bacon grease for his dog biscuits. Objective then, a sing on the radio cuts in to lisp “housewives of America” to cessation throwing out their frail kitchen fats! The speaker teaches Minnie and a reluctant Pluto about how such aged greases can be made into ammunition for the boys on the front lines (cue photo of Mickey in his uniform on the wall) . As in the previous short, we are treated to an in depth view at how kitchen fats can catch the war for us. The film rounds out with a demonstration by Minnie and Pluto about how to turn in their bacon grease to the local “meat dealer” in exchange for cash (or, in Pluto’s case, sausages) . This short also ranks as one of my favorites, not only because it’s so though-provoking, but also because it really makes you feel like you’re in 1942 when you sight it!

“Donald’s Decision” (1942) – This cartoon made for Canada uses previous Donald Duck footage, mostly from “Donald’s Better Self,” to succor people to become regular war savers. Donald’s devilish half encourages him to exercise his money, while his angel urges him to put it. Considering that it is reused footage of a cartoon that was shown frequently on the Disney Channel throughout the years, it is not the most moving selection on the disc; however, slight touches here and there do invent it worth a glance.

“All Together” (1942) – This last short made for the National Film Board of Canada is really fair a parade of Disney favorites running unbiased under 3 minutes in length. It shows us Mickey, Goofy, Donald, his nephews, Pluto, the seven dwarfs, Pinocchio, and Geppetto marching down a street, playing music, and carrying signs to promote war bonds. Though there’s nothing more to it than that, it’s extraordinary what a delight it is unprejudiced to observe these classic characters onscreen together!

“The Modern Spirit” (1942) – The drawl on the radio saves the day again in this classic short, encouraging Donald Duck to pay his income tax on time and instructing him on how to do it. The film takes Donald through the simplified effect for folks who made less than 3,000 dollars this year (yikes), and it’s really quite fun to sight, strange as that may seem. There’s honest something about seeing Donald Duck doing these very human things, like filling out his income tax originate, that is too savory. Amazingly, the commissioners of the film didn’t want Donald to be obsolete in it to picture the “every man.” Walt had to advise on it!

“The Spirit of `43″ (1943) – Apparently, Walt’s notion was a hit. The following year, another short was made to wait on paying taxes on time. In this short, Donald is encouraged to exercise his money by one side of his personality, and to set it for his taxes by the other (represented by a Scottish duck) . The spendthrift half is eventually revealed to be a Nazi agent, and Donald promptly agrees to keep for tax day. Like many of these shorts, this one ends with a “Taxes to sink the Axis” montage. Very delicious stuff, if only to wax nostalgic on patriotic WWII propaganda.

“The Winged Scourge” (1943) – Public Enemy Number One: Anopheles the Malaria Mosquito! This short will anxiety you straight about leaving any standing water around your home! After a disturbing intro to the world of mosquitoes carrying malaria, the announcer calls for 6 or 7 audience members to aid fight the fiendish foe. The seven dwarfs pop up from their seats, and we are soon treated to all novel footage of the amazing seven spraying their cottage with bug poison, draining standing water, cutting weeds, treating water containing “wigglers” with oil and chemicals, placing screens and netting over barrels and beds, and using a helpful, stale soar swatter. I’m not determined how beneficial for the environment all that stuff is, but I allege it’s okay if it kills mosquitoes… This short is highly appealing due to its recent drama and apprehension tactics, but also due to its all-new footage of the seven dwarfs!

“Defense Against Invasion” (1943) – This short offers something different, in that there’s a agreeable amount of live-action footage to it. The short begins with a group of dinky boys (and their dog) waiting to be vaccinated in a doctor’s office. An aptly named child, Bulky, goes in first. When the doctor and nurse spy how nervous he is, the short becomes a very clever lesson on blood and invasion by disease, depicting both as armies within the human body. These sequences within the bloodstream are the lively half of the reveal. It’s all very captivating and informative, despite the very bland casting, and everyone is proud to have their vaccinations in the waste.

“The Grain That Built a Hemisphere” (1943) – This short is all about corn; the history and uses of it. If you fancy corn (and I do), it’s stunning spirited. Actually, this short, along with the previous one and the 3 that follow, would be suitable at home in one of the “Future World” pavilions at EPCOT Center. Especially in the dilapidated days, when the position wasn’t stupefied to house fun education instead of thrill rides.

“Cleanliness Brings Health” (1945) – This film, pitting a trim family against a “careless,” dirty one, uses fun animation to illustrate the benefits of orderly living and the hardships that advance from “going in the cornfield.” These “careless” vs. shapely shorts are quite arresting in their disgusting education style.

“What Is Disease? (The Unseen Enemy) ” (1945) – An average man is faded as an example of how disease can attack him without warning through microbes in the water, air, and everywhere!

“Planning for Suitable Eating” (1945) – Careless Charlie and his rundown family need to eat more than unbiased beans and cornbread. This short teaches Charlie, and the audience, that the procedure to a healthy life is eating three types of food: meat for muscles, breads and roots for energy, and vegetables for strong bones and teeth. Later, milk is also mentioned as the “perfect” food. By the kill, Charlie’s farm has been altered to accommodate animals and vegetables as well as beans and corn. Now, he’s known as “Careful” Charlie.

From the Vault:

Leonard Maltin introduces each of the following 4 shorts individually, as they are the most intelligent and controversial of anything in this 2-disc status. I’m told you can’t expeditiously forward or skip the intros, though I haven’t tried. These four shorts perform no apologies for showing the cruelty and inhumanity of the nazis and their beliefs in masterfully done animation.

“Der Fuehrer’s Face” (1942) – It’s no surprise that this short has been locked away for so long. Dream or not, it does depict Donald Duck as a downtrodden citizen of Nazi Germany, wearing a swastika on his arm and declaring “Heil Hitler!” nearly every other second to avoid being shot. He spends most of his time on an assembly line screwing the tops onto shells. It is, of course, a nightmare, and our beloved duck wakes up in the suited stale U.S. of A., incredibly thankful for it. This cartoon is unforgettable, as are all these “From the Vault” selections, and there is a grand deal of Chaplin inspiration found within it. Of course, that was proper of worthy of Disney’s venerable cartoons. This short also features an recent song by the same name that become a tremendous hit at the time!

“Education for Death” (1943) – This has to be the most memorable, the most poignant of anything you’ll accept in this collection. This is the record of one of “Hitler’s children.” In the beginning, the film asks, “What Makes a nazi? ” The rest of the cartoon short is the reply to that demand. It starts off with a couple proving their Aryan heritage to the German government through documentation so that they will be allowed to support and name their unique baby, Hans. Puny Hans becomes sick as a child, and his mother fears the government will approach to acquire him away. Such children were never heard from again. Luckily, Hans gets better, and is off to school, where he learns the zigzag nazi fairytales that develop Hitler a hero and democracy a villain, and where Hans learns that he must be cruel to survive. Time marches on, and as it does, Hans is brainwashed to inspect, hear, and assume only what the fuehrer tells him to. Books are burned, churches are destroyed, the foul replaced with the sword and the Bible replaced with Mein Kampf. Hans becomes a profitable nazi soldier, (his marching image snappily replaced by a unfavorable in a graveyard), having completed his education for death. This is probably the darkest, most disturbing thing you will ever perceive from Disney. Of course, it is meant to be so.

“Reason and Emotion” (1943) – Within the mind of a child sits the extinct, thrill-seeking characterization of “Emotion.” Appearing a bit later is “Reason,” the nerdy, composed one. The two argue for decision making control throughout the child’s life, though when he has grown into a man, it is Reason that sits in the driver’s seat…most of the time. Within a woman’s mind goes on the same struggle. This short proceeds to reveal us how gossip and rumors, particularly those about what is going on overseas, can have a negative affect on the individual who allows emotion to dominate his brain. This engaging and imaginative short is fantastically delicious WWII propaganda.

“Chicken Microscopic” (1943) – No, this isn’t the colossal CGI film that came to theaters last year. This is the recent classic one might have imagined was a Humorous Symphony in the past. It was, in fact, a wartime parable about how Hitler uses psychology to control the masses. However, unlike most of the other cartoons in this dwelling, we don’t net any Hitler caricatures this time around. Aside from the suspicious quotes Foxy Loxy reads from his psychology book, everything appears to be a straight up animal account. Foxy tricks Chicken Limited into thinking that the sky is falling, and he eventually has the whole farm believing it. Foxy gets Chicken Shrimp to lead all the chickens, ducks, turkeys, and whatever else into a nearby cave, where we glimpse impartial how delighted an ending you rep when the rank fox is given total control. Here’s a hint – It’s not cheerful. It’s glorious laughable though!

Disc 2

This Disney Treasures DVD plot is special for many reasons, but one of those is that it combines several classic Disney shorts with a full-length feature film. Previous Disney Treasures sets containing shorts have contained the shorts ONLY. Here, you have the pleasure of getting several short cartoons AND a main feature together!

“Victory Through Air Power” (1943) – As Maltin states in the intro, this is the most modern film Walt Disney ever made. “Victory Through Air Power” is less of a “weak” movie and more of a documentary of sorts. It begins with a dedication to Billy Mitchell, an Army general who was ignored and ridiculed by the nation for his advice to peer into aerial assaults after the events of WWI. This is followed with a fun and informative challenging history of the airplane, starting with the Wright brothers’ legendary first flight come Kitty Hawk, and coming all the blueprint up to today. The animation here is prankish, comic, and typical Disney. After this section of the film, we are introduced to Major Alexander de Seversky, a Russian born traditional pilot and aviation expert who had become an American citizen and U.S. Army officer and wrote the book “Victory Through Air Power,” which inspired Walt Disney to fabricate this very film. From here on out, the film goes assist and forth between Seversky’s live-action hosting and mighty more realistic arresting sequences under his narration, as Seversky explains the power and potential of demonstrate day aircraft and how Mitchell’s dream of major aerial assaults would be the deciding factor of who would secure WWII. This is the whole purpose of the film, to convince the viewer that we must focus on aerial attacks, taking out the source of the enemy’s power by heavy bombing from above. The film is high on military tactics and miniature else, so it is not for everyone. Once the history of aviation sequence is over, I could only recommend the rest to the Disney fanatic (such as myself) or the military or aviation buff, but for those eager, it is clear to be a rewarding viewing experience. The finale features an American eagle taking out a villainous octopus that holds several nations in its arms. Once the octopus is defeated, the eagle flies off to perch atop a flagpole where an American flag waves triumphantly. It’s a very movie fragment of animation.

Disc 2 includes 2 training films as well, plus a training film montage and all the bonuses of the state.

“Four Methods of Flush Riveting” – This is a training film on objective what it says, four methods of flush riveting. It is unimaginative after a very short time. It is what it is. It was entertaining to discover, though, as a novelty from the Disney studios.

“Conclude That Tank” – This training film made for Canada is a bit different. It incorporates funny Disney animation, such as one of those hilarious Hitler caricatures, in a training film about how to exhaust and super an anti-tank rifle. There’s not a LOT of animation, but what it has is sizable. We even obtain to peruse Hitler go to Hell. The quality of this short is graceful terrible compared to those on disc one, but it’s unexcited very watchable. Far more consuming than the “Flush Riveting” short.

“Training Film Montage” – Leonard Maltin narrates this montage of scenes from the over 200 training films Disney made for the army. It contains some captivating animation, including a delicate pinup girl that must have been drawn by Fred Moore. While I can delight in Maltin not bombarding us with a lot more training films like the “Riveting” film, you tend to wonder impartial how noteworthy exquisite animation you are missing out on (or how many sharp pinup girls) .

The Bonus features, which are all on Disc 2, are gracious. We receive a trailer for “Victory Through Air Power,” plus some calm slack the scenes footage. There are several great galleries for both “Victory Through Air Power” AND the shorts we saw on disc one. Several images near with narration from Leonard Maltin. Really treats were the galleries not directly related to the films. For example, there are galleries of insignias Disney created for the war grief, military posters, Joe Grant’s sketchbook, Dispatches from Disney’s (a very short-lived Disney publication), and my personal fave, the gallery on Disney’s abandoned “Gremlins” project with author Roald Dahl. The feature film for “Gremlins” (the Dahl Gremlins, that is) never happened, though some Disney Gremlin merchandise is tranquil out there, like the worthy prized children’s book. Also, the Gus Gremlin character from the line-up did go on to minor Disney droll book fame (something not mentioned on the DVD) . An gripping sign from Maltin is that Dahl’s time utilize with Walt Disney at the studio was reportedly his inspiration for “Charlie and the Chocolate Factory.” Lastly, we also pick up 3 interviews among the bonus features: “A Conversation with John Hench,” “A Conversation with Joe Grant,” and “A Conversation with Roy Disney.” The two Disney artists give gigantic insight into what it was like in and out of the studio during wartime, while Roy gives his boyhood memories of the same. Very savory stuff!

“Walt Disney Treasures – On the Front Lines” comes in the usual graceful tin case with a screen, paper I.D. band. Within is the snapcase, which holds the two discs, as well as the bonuses of a numbered Certificate of Authenticity, a booklet, and the extinct collector’s card, this one featuring poster art for Donald Duck’s “Plunge In; Drop Out.” This is simply an outstanding collectible DVD. This sort of release is the reason DVD exists! It’s a masterpiece! Determined, the audience for these films is probably not as wide as for.. say…Bambi or Cinderella, but the work is no less spectacular. If you are a Disney fanatic, you simply MUST catch this up!
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Pay no mind to the countless comparisons to “Jaws”, “Alien”, and the rest of the monster classics that a quality film like this always draws. This one stands on its contain as an modern mix of harsh political commentary, family drama, dark comedy, and alarm. The metaphor for the hysteria over the asian SARS epidemic is thick and the accusatory tone towards America’s interventionist ways and the alarmist media’s sensationalism is thicker. But don’t consider this is some heavy-handed self-serving political film that wallows in its occupy symbolism; this film is about the importance of family pulling together and taking care of each other when noone else will. Oh yes, and there’s a monster in there somewhere too.

I’m going to fall a few minor spoilers now so if you want to go in completely frosty and experience the plump thrill I received viewing this movie you might want to go peer the film now. Alright, on with the stutter review. Let me keep it this plot, I got my money’s worth in the first 20 minutes of the film. The sudden appearance of the beast breaks the most entrenched of monster movie standards: the expressionless articulate. The almost complete lack of buildup troubled me as the monster came charging out of the background in its high-velocity and unsettlingly awkward gait with ferocious momentum sending humanity flying left and factual. What follows is one of the greatest rampage sequences ever seen by human eyes. I was absolutely thrilled by it and only the most jaded of film fans could feel otherwise. In fact, aside from a few gaping residence holes, my only loyal complaint about this movie is that it climaxes so soon. That’s not to say the rest of the film isn’t satisfactory, but it never reaches that fever pitch again.

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As the trigger-happy government declares quarantine and almost immediately begins asserting it’s will on the victims -even as they quiet mourn their lost family members- the media spreads word of a deadly and highly contagious virus that the creature is carrying (hence, “the host”) . But as the film progresses, we don’t peer the evidence of any abnormal sickness, unbiased the paranoia of the people in reaction to the media’s hysterics and government’s jumping to conclusions. As our protagonists, the Park family, search for their cramped girl (Hyun-seo, taken to the monster’s den for later consumption) we near to gape that when the government is incompetent and overbearing and the general populace is collectively timorous of the guy standing next to them the only things you can rely on are your absorb family and what you can peep and do for yourself.

The ne’er-do-well Park family consists of Hyun-seo’s father, a slow-witted narcoleptic, her aunt who’s a professional archer with a tendency to freeze under pressure, a college-educated alcoholic of an uncle with a hot temper who can’t fetch a job, and a caring grandfather who holds them all together. The dysfunction of the family is droll to observe, but the devotion they all portion in the search for their petite girl is touching; and that’s the valid heart and soul of this film. The monster is menacing, the government is faulty, the Americans are comically over-the-top self-serving jerks, the populace at grand are disturbed for all the wicked reasons, and the true disease is the paranoia spread by the media but the Park family’s struggle is the valid memoir here and it’s a gigantic one.

Really, do not contemplate the dubbed version of this movie. If you’re watching that then you are not watching the same movie. I have a feeling that nearly all of the negative reviews are due to the heinous dubbing this film received.

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If you’re not willing to sight the subtitled version, then I suggest you avoid the film, because it will be an dreadful experience. I fair watched a clip of it on YouTube and I was cringing!

The dubbing is an insult to the new cast and crew of this film. Please. Please. Please. Do not examine the dubbed version.

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